Re: The Mind Is Physical! Just Admit It!Hope this works. Posting for Ken Cashion...
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Folks, I am having trouble with my newsgroup at charter,net and I have
asked Bill Chandler to be my transponder for a little bit.
This is a message I sent immediately to Radium's silly post but in
reply to Norm's comments, it didn't appear in a timely manner and some
of this would have subsequently been posted to the "pick" topic.
Mr. Draper posted --
>By the way, would you happen to know the thickness of a Fender medium
>pick? If you do, I'll take your side in the argument.
I know! I know! I know about guitar plectrums!
Fender medium...0.027". (Fender thins are 0.016" and the Fender
heavies are 0.035"...yes, celluloid.) That is what mine
measured...nominally, with digital micrometer.
And Mike, the familiar heart shape is really the #351 and the shape
sells the most and goes back to Luigi D'Andrea's original hand mallet
die of 1928. It has remained unchanged.
Steel string guitars of the1920s were played with fingers and if a
fellow went in a music store and asked for guitar picks, he would be
shown finger picks.
Nicolas Lucanese, from Newark, NJ, used a flat pick playing his tenor
banjo. Banjos and mandolins had flat picks. He started using the
flat pick on his guitar and in early 1920 made the first recording of
someone playing guitar solos with a flat pick. (Pathe label.) One
song was "Pickin' the Guitar."
By 1925, his style of flat picking the guitar had grown so popular
that he signed with Brunswick and released several hits with the big
names of Gene Austin, Johnny Marvin, Blossom Seeley, and a short while
later with Rudy Vallee, Ruth Etting, and Bing Crosby.
In 1929, he landed a role in the first all-talkie Technicolor movie,
Warner Brothers' "Gold Diggers of Broadway." He was being billed by
now as Nick Lucas. And right there in front of a camera, while
beauties hopped around and clogged on artificial flowers, Lucas stood
there front and center and flat picked and sang, "Tip Toe Through The
Tulips." (He also did a better song, "Painting The Clouds With
Sunshine" which I enjoy doing on the uke.)
Fellows started looking for the "right" pick and switching over to the
Lucas-style of playing. At the same time, Eddie Lang and Roy Smeck
was pushing flat picking on guitars.
After Gibson brought out the Nick Lucas Guitar in the early 1930s, Joe
Nicomede, friend of Luigi D'Andrea, worked out a deal with Lucas.
Nicomede was a music teacher in Altoona, PA, and he would pay Lucas
royalties for Lucases name on a guitar pick. Lucas got with Luigi and
the shape they chose was what Lucas had worked out for himself.
This first die got the number 351, and thus THE guitar pick was born
and was the first designed and advertised for the guitar. They sold
for a dime. They were displayed 24 to a display card. (Big
collectable, now.)
Competition arose immediately and the 351 shape appeared on similar
cards but this time with Nick Manoloff's name.
There were other near identical displays with the 351 shape, but in
one case Gene Autry's name was on the card, and though these were
listed in the 1941 Sears catalog, they were still known on the street
as the "Lucas" pick.
Fender was pushing the Manoloff picks in the 1950s but there was some
foul-up at a trade show and so Fender would have some picks to
display, the reps from the D'Andrea booth provided them picks at no
cost.
Because of this gesture, Fender dropped the Manoloff association, and
started getting their picks from D'Andrea, thus, the most common pick
today is the "Fender pick."
But we have to ask their thickness and don't know that it is the old
Nick Lucas #351...that played, "Tip Toe Through The Tulips."
Ken, who thinks all this is right..his physical mind forgets stuff
sometimes. (John Pearse can add to this, he was there the whole time.
<g>)
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What the superior man seeks is in himself: what the small man seeks is in others. - La Rochefoucauld, Francois De
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Bill Chandler
...bc...