Re: Fun with Pentatonics # 1I actually see it going back and forth between the minor and the
major, and thats why I rather ambiguously said it was in the key of
A, But its all good!
On May 17, 5:54 pm, rmjon23 <rmjo...@aol,com > wrote:
> On May 17, 8:44=EF=BF=BDam, "Steve Robinson"
>
>
>
> <stephen.p.robin...@ntlworld.remove,com > wrote:
> > "Grinner" <grin...@nowhere,com > wrote in message
>
> >news:482ee93b$0$17510$afc38c87@news.optusnet,com .au...
>
> > > "Steve Furey" <stevefu...@gmail,com > wrote in message
> > >> its actually in the key of A
>
> > >> http :// ca.youtube,com /watch?v=3DDul9Rjqsixo
>
> > > a minor, actually.
>
> > I make it B minor - there is an F# in there.
>
> > Steve.
>
> If Furey is thinking "A" it's A major. A major has F# in it; A minor
> does not. This is a nice little triplet-sequence (that reminds me of
> Rik Emmet) that illustrates a cool rock guitarist's trick: the blues-
> pentatonic "box" everyone usually learns to play rock can be used in
> major keys if you use the 2nd, 3rd, or 6th note of the major scale as
> the note that you'd normally play with your index finger, low E
> string.
>
> EX: Furey's A major scale lick can also be played in A major if you
> play the same sequence at the 2nd or 9th fret, where Furey has played
> it at the 7th fret here. All of those sequences fit over an A major
> chord. The only weirdness is that last note, E flat, which is the flat
> 5 in Amaj. If you play the sequence at the 9the fret that last note
> turns up as an F note, which is the flat 6th of an Amaj; at the 2nd
> fret that last note is a flat 2, which would sound really "out" over
> an A major chord...unless that note is hanging over a key change.