Less is More Playbook

Less is More Playbook

There's 5 Blues Boxes and 7 modal Forms (they're not as 'boxy').

The following cleanly shows both the "treadmill" aspect as well as the
OVERLAPS between these!

No one ever wants to play or hear *ALL* the notes...BUT it's *great* to
have a knowledge of additional notes and runs that you CAN pick from
while playing. More colors on a bigger palette.

Here, We're looking at anything played in "A Blues", or A Pentatonic
minor. To use up all the fretboard boxes these two systems accommodate,
we're looking at our "treadmills" and how they overlap, starting as
close to the nut as A Blues and these forms intersect w/out partial
boxes (for learning purposes);

Blues/Penta Box#:-5-----1---2-----3-4---5----1--etc.

Modal Forms-----:vii-I-|ii|iii-IV-V-vi-vii-I-ii-etc.

[Modal Forms:----:-7--1--2---3--4--5-6---7--1--2-etc.]

I---Ionian (Major)
ii--Dorian (Natural Minor)
iii-Phrygian
IV--Lydian
V---Mixolydian
vi--Aeolian (Relative Minor)
vii-Locrian

You'll find that while there's a beautiful overlap between
say, Blues Box 5 and the Locrian Form (vii) as well as Blues Box 1 and
the Dorian form (ii), Blues Box 3 and the Mixolydian Form (V),same w/
Blues Box 4 and Aeolian (vi), or *"relative minor"* [In this key, A
Blues [G major] it's E Aeolian].These "dual treadmills" will mesh
together as your ear, muscle memory and technique choose to play
them--but the forms and musical notes all overlap!


--------------------------------------------------------------------------------


|---|-3-|---|-5-|---|---|---|
|---|-3-|---|-5-|---|---|---|
|-2-|---|---|-5-|---|---|---|
|-2-|---|---|-5-|---|---|---|
|---|-3-|*4-|-5-|---|---|---|
|---|-3-|---|-5-|---|---|---|
Blues Box 5 / A

|-2-|-3-|---|-5-|---|---|---|
|-2-|-3-|---|-5-|---|---|---|
|-2-|---|-4-|-5-|---|---|---|
|-2-|---|-4-|-5-|---|---|---|
|---|-3-|---|-5-|---|-7-|---|
|---|-3-|---|-5-|---|-7-|---|
Gb or F# LOCRIAN [vii]


------------|-5-|---|---|-8-|---|---|---|
------------|-5-|*6-|-7-|---|---|---|---|
------------|-5-|---|-7-|---|---|---|---|
------------|-5-|---|-7-|---|---|---|---|
------------|-5-|---|---|-8-|---|---|---|
------------|-5-|---|---|-8-|---|---|---|
Blues Box 1 / A

----|-3-|---|-5-|---|-7-|
----|-3-|---|-5-|---|-7-|
----|---|-4-|-5-|---|-7-|
----|---|-4-|-5-|---|-7-|
----|---|---|-5-|---|-7-|-8-|
----|---|---|-5-|---|-7-|-8-|
G IONIAN [I] (MAJOR) form

|---|---|---|-8-|---|10-|---|
|---|---|-7-|---|---|10-|---|
|---|---|-7-|---|---|10-|---|
|---|---|-7-|*8-|-9-|---|---|
|---|---|---|-8-|---|10-|---|
|---|---|---|-8-|---|10-|---|
Blues Box 2 / A

|-5-|---|-7-|-8-|---|---|---|
|-5-|---|-7-|---|-9-|---|---|
|-5-|---|-7-|---|-9-|---|---|
|-5-|---|-7-|---|-9-|---|---|
|---|---|-7-|-8-|---|10-|---|
|---|---|-7-|-8-|---|10-|---|
A DORIAN [ii]

----------------|---|10-|*11|12-|
----------------|---|10-|---|12-|---|
----------------|---|10-|---|12-|---|
----------------|9--|---|---|12-|---|
----------------|---|10-|---|---|13-|
----------------|---|10-|*11|12-|---|
Blues Box 3 / A


--------|-7-|-8-|---|10-|---|---|
--------|-7-|---|-9-|10-|---|---|
--------|-7-|---|-9-|10-|---|---|
--------|-7-|---|-9-|---|11-|---|
--------|---|-8-|---|10-|---|12-|
--------|---|-8-|---|10-|---|12-|
B PHRYGIAN [iii]


----------------------------|12-|---|---|15-|
----------------------------|12-|---|---|15-|
----------------------------|12-|*13|14-|---|
----------------------------|12-|---|14-|---|
----------------------------|---|13-|---|15-|
----------------------------|12-|---|---|15-|
Blues Box 4 / A

------------|-8-|---|10-|---|12-|---|---|
------------|---|-9-|10-|---|12-|---|---|
------------|---|-9-|10-|---|12-|---|---|
------------|---|-9-|---|11-|12-|---|---|
------------|---|---|10-|---|12-|13-|---|
------------|---|---|10-|---|12-|---|14-|
C LYDIAN [IV]

--------------------
POSTING FORMAT BREAK
--------------------


----------------|---|15-|---|17-|
----------------|---|15-|---|17-|
----------------|14-|---|---|17-|
----------------|14-|---|---|17-|
----------------|---|15-|*16|17-|
----------------|---|15-|---|17-|
Blues Box 5 / A


|10-|---|12-|---|14-|---|---|
|10-|---|12-|---|14-|---|---|
|10-|---|12-|---|14-|---|---|
|---|11-|12-|---|12-|---|---|
|---|---|12-|13-|---|15-|---|
|---|---|12-|---|14-|15-|---|
D MIXOLYDIAN [V]

----------------------------|17-|---|---|20-|
----------------------------|17-|*18|19-|---|
----------------------------|17-|---|19-|---|
----------------------------|17-|---|19-|---|
----------------------------|17-|---|---|20-|
----------------------------|17-|---|---|20-|
Blues Box 1 / A

--------|12-|---|14-|15-|---|---|---|
--------|12-|---|14-|15-|---|---|---|
--------|12-|---|14-|---|16-|---|---|
--------|12-|---|14-|---|16-|---|---|
--------|---|13-|---|15-|---|17-|---|
--------|---|---|14-|15-|---|17-|---|
E AEOLION [vi] (Rel. Minor) <-- ****

----------------|14-|15-|---|17-|---|---|
----------------|14-|15-|---|17-|---|---|
----------------|14-|---|16-|17-|---|---|
----------------|14-|---|16-|17-|---|---|
----------------|---|15-|---|17-|---|19-|
----------------|---|15-|---|17-|---|19-|
Gb or F# LOCRIAN [vii]

:-) mvm

http :// tinyurl,com /2hj395

Re: Less is More Paybook - Kookatronic Mode Teaching system....cut n paste King

On Wed, 21 May 2008 17:30:43 -0700, Pozitronik Vibe
<SociopathicCutnPasteUniverse@spamme,com mie> wrote:

>There's 5 Blues Boxes in the universe with the "treadmill" aspect as well as the
>OVERLAPS between these boxes!
>
>
>--------------------------------------------------------------------------------
>
>
>|-
>:-) mvm
>
> http :// tinygurl,com /wackamole
Next he will soliciting donations for the Whackamole church

Re: Less is More Paybook - Kookatronic Mode Teaching system....cut n paste King

On May 22, 2:18 pm, J.P. <jpas...@hotmail,com > wrote:
> On Wed, 21 May 2008 17:30:43 -0700, Pozitronik Vibe
>
> <SociopathicCutnPasteUnive...@spamme,com mie> wrote:
> >There's 5 Blues Boxes in the universe with the "treadmill" aspect as well as the
> >OVERLAPS between these boxes!
>
> >--------------------------------------------------------------------------­------
>
> >|-
> >:-) mvm
>
> > http :// tinygurl,com /wackamole
>
> Next he will soliciting donations for the Whackamole church


I'm not so sure it's cut-n-paste... there's mistakes throughout.

Re: Less is More Paybook - Kookatronic Mode Teaching system....cut n paste King

On Wed, 21 May 2008 22:25:59 -0700 (PDT), greego
<greg.w.lindsay@gmail,com > wrote:

>On May 22, 2:18 pm, J.P. <jpas...@hotmail,com > wrote:
>> On Wed, 21 May 2008 17:30:43 -0700, Pozitronik Vibe
>>
>> <SociopathicCutnPasteUnive...@spamme,com mie> wrote:
>> >There's 5 Blues Boxes in the universe with the "treadmill" aspect as well as the
>> >OVERLAPS between these boxes!
>>
>> >--------------------------------------------------------------------------­------
>>
>> >|-
>> >:-) mvm
>>
>> > http :// tinygurl,com /wackamole
>>
>> Next he will soliciting donations for the Whackamole church
>
>
>I'm not so sure it's cut-n-paste... there's mistakes throughout.
The mode king strikes again..or is it commode king?

Re: Less is More Playbook

On 22 May, 01:30, Pozitronik Vibe <Anti~Sociopath...@nospammyme,com >
wrote:
> There's 5 Blues Boxes and 7 modal Forms (they're not as 'boxy').
>
> The following cleanly shows both the "treadmill" aspect as well as the
> OVERLAPS between these!
>
> No one ever wants to play or hear *ALL* the notes...BUT it's *great* to
> have a knowledge of additional notes and runs that you CAN pick from
> while playing. More colors on a bigger palette.
>
> Here, We're looking at anything played in "A Blues", or A Pentatonic
> minor. To use up all the fretboard boxes these two systems accommodate,
> we're looking at our "treadmills" and how they overlap, starting as
> close to the nut as A Blues and these forms intersect w/out partial
> boxes (for learning purposes);
>
>   Blues/Penta Box#:-5-----1---2-----3-4---5----1--etc.
>
>   Modal Forms-----:vii-I-|ii|iii-IV-V-vi-vii-I-ii-etc.
>
> [Modal Forms:----:-7--1--2---3--4--5-6---7--1--2-etc.]
>
> I---Ionian (Major)
> ii--Dorian (Natural Minor)
> iii-Phrygian
> IV--Lydian
> V---Mixolydian
> vi--Aeolian (Relative Minor)
> vii-Locrian
>
> You'll find that while there's a beautiful overlap between
> say, Blues Box 5 and the Locrian Form (vii) as well as Blues Box 1 and
> the Dorian form (ii), Blues Box 3 and the Mixolydian Form (V),same w/
> Blues Box 4 and Aeolian (vi), or *"relative minor"* [In this key, A
> Blues [G major] it's E Aeolian].These "dual treadmills" will mesh
> together as your ear, muscle memory and technique choose to play
> them--but the forms and musical notes all overlap!
>
> ---------------------------------------------------------------------------­-----
>
> |---|-3-|---|-5-|---|---|---|
> |---|-3-|---|-5-|---|---|---|
> |-2-|---|---|-5-|---|---|---|
> |-2-|---|---|-5-|---|---|---|
> |---|-3-|*4-|-5-|---|---|---|
> |---|-3-|---|-5-|---|---|---|
> Blues Box 5 / A
>
> |-2-|-3-|---|-5-|---|---|---|
> |-2-|-3-|---|-5-|---|---|---|
> |-2-|---|-4-|-5-|---|---|---|
> |-2-|---|-4-|-5-|---|---|---|
> |---|-3-|---|-5-|---|-7-|---|
> |---|-3-|---|-5-|---|-7-|---|
> Gb or F# LOCRIAN [vii]
>
> ------------|-5-|---|---|-8-|---|---|---|
> ------------|-5-|*6-|-7-|---|---|---|---|
> ------------|-5-|---|-7-|---|---|---|---|
> ------------|-5-|---|-7-|---|---|---|---|
> ------------|-5-|---|---|-8-|---|---|---|
> ------------|-5-|---|---|-8-|---|---|---|
> Blues Box 1 / A
>
> ----|-3-|---|-5-|---|-7-|
> ----|-3-|---|-5-|---|-7-|
> ----|---|-4-|-5-|---|-7-|
> ----|---|-4-|-5-|---|-7-|
> ----|---|---|-5-|---|-7-|-8-|
> ----|---|---|-5-|---|-7-|-8-|
> G IONIAN [I] (MAJOR) form
>
> |---|---|---|-8-|---|10-|---|
> |---|---|-7-|---|---|10-|---|
> |---|---|-7-|---|---|10-|---|
> |---|---|-7-|*8-|-9-|---|---|
> |---|---|---|-8-|---|10-|---|
> |---|---|---|-8-|---|10-|---|
> Blues Box 2 / A
>
> |-5-|---|-7-|-8-|---|---|---|
> |-5-|---|-7-|---|-9-|---|---|
> |-5-|---|-7-|---|-9-|---|---|
> |-5-|---|-7-|---|-9-|---|---|
> |---|---|-7-|-8-|---|10-|---|
> |---|---|-7-|-8-|---|10-|---|
> A DORIAN [ii]
>
> ----------------|---|10-|*11|12-|
> ----------------|---|10-|---|12-|---|
> ----------------|---|10-|---|12-|---|
> ----------------|9--|---|---|12-|---|
> ----------------|---|10-|---|---|13-|
> ----------------|---|10-|*11|12-|---|
> Blues Box 3 / A
>
> --------|-7-|-8-|---|10-|---|---|
> --------|-7-|---|-9-|10-|---|---|
> --------|-7-|---|-9-|10-|---|---|
> --------|-7-|---|-9-|---|11-|---|
> --------|---|-8-|---|10-|---|12-|
> --------|---|-8-|---|10-|---|12-|
> B PHRYGIAN [iii]
>
> ----------------------------|12-|---|---|15-|
> ----------------------------|12-|---|---|15-|
> ----------------------------|12-|*13|14-|---|
> ----------------------------|12-|---|14-|---|
> ----------------------------|---|13-|---|15-|
> ----------------------------|12-|---|---|15-|
> Blues Box 4 / A
>
> ------------|-8-|---|10-|---|12-|---|---|
> ------------|---|-9-|10-|---|12-|---|---|
> ------------|---|-9-|10-|---|12-|---|---|
> ------------|---|-9-|---|11-|12-|---|---|
> ------------|---|---|10-|---|12-|13-|---|
> ------------|---|---|10-|---|12-|---|14-|
> C LYDIAN [IV]
>
> --------------------
> POSTING FORMAT BREAK
> --------------------
>
> ----------------|---|15-|---|17-|
> ----------------|---|15-|---|17-|
> ----------------|14-|---|---|17-|
> ----------------|14-|---|---|17-|
> ----------------|---|15-|*16|17-|
> ----------------|---|15-|---|17-|
> Blues Box 5 / A
>
> |10-|---|12-|---|14-|---|---|
> |10-|---|12-|---|14-|---|---|
> |10-|---|12-|---|14-|---|---|
> |---|11-|12-|---|12-|---|---|
> |---|---|12-|13-|---|15-|---|
> |---|---|12-|---|14-|15-|---|
> D MIXOLYDIAN [V]
>
> ----------------------------|17-|---|---|20-|
> ----------------------------|17-|*18|19-|---|
> ----------------------------|17-|---|19-|---|
> ----------------------------|17-|---|19-|---|
> ----------------------------|17-|---|---|20-|
> ----------------------------|17-|---|---|20-|
> Blues Box 1 / A
>
> --------|12-|---|14-|15-|---|---|---|
> --------|12-|---|14-|15-|---|---|---|
> --------|12-|---|14-|---|16-|---|---|
> --------|12-|---|14-|---|16-|---|---|
> --------|---|13-|---|15-|---|17-|---|
> --------|---|---|14-|15-|---|17-|---|
> E AEOLION [vi] (Rel. Minor) <-- ****
>
> ----------------|14-|15-|---|17-|---|---|
> ----------------|14-|15-|---|17-|---|---|
> ----------------|14-|---|16-|17-|---|---|
> ----------------|14-|---|16-|17-|---|---|
> ----------------|---|15-|---|17-|---|19-|
> ----------------|---|15-|---|17-|---|19-|
> Gb or F# LOCRIAN [vii]
>
> :-) mvm
>
> http :// tinyurl,com /2hj395


Don't take this the wrong way but, are modes really relevant if you
play Ionian, Dorian, Phrygian etc all from the same key centre over a
piece of music based around that key centre? After all that's just
playing in one major key over a set of chords from that major key.

IMO modes are really only useful if you use them in the same way as
the jazz players of the 1960's (I don't mean that you can only use
them for jazz).

Modes give you a choice of scale you can use over a particulate chord
vamp. e.g. If you play over a repeating vamp based on a Dm chord then,
you could choose to use the D Dorian, D Phrygian or D Aeolian. All of
these can be used to give you lines that are rooted in Dm but, each
mode will give you a completely different feel. What I'm trying to say
is, IMO they are really only relevant if you use them to get away from
using the normal major or relative minor scale.

Cliff

Re: Less is More Playbook



Cliff wrote:
> On 22 May, 01:30, Pozitronik Vibe <Anti~Sociopath...@nospammyme,com >
> wrote:
>> There's 5 Blues Boxes and 7 modal Forms (they're not as 'boxy').
>><<snip>>
>> Gb or F# LOCRIAN [vii]
>><<snip inverted chart>>
>> G IONIAN [I] (MAJOR) form
>><<snip inverted chart>>
>> A DORIAN [ii]
>><<snip inverted chart>>
>> B PHRYGIAN [iii]
>><<snip inverted chart>>
>> C LYDIAN [IV]
>><<snip inverted chart>>
>> D MIXOLYDIAN [V]
>><<snip inverted chart>>
>> E AEOLION [vi] (Rel. Minor) <-- ****
>><<snip inverted chart>>
>> Gb or F# LOCRIAN [vii]
>>
>> :-) mvm
>>
>> http :// tinyurl,com /2hj395
>
>
> Don't take this the wrong way but, are modes really relevant if you
> play Ionian, Dorian, Phrygian etc all from the same key centre over a
> piece of music based around that key centre? After all that's just
> playing in one major key over a set of chords from that major key.
>
> IMO modes are really only useful if you use them in the same way as
> the jazz players of the 1960's (I don't mean that you can only use
> them for jazz).
>
> Modes give you a choice of scale you can use over a particulate chord
> vamp. e.g. If you play over a repeating vamp based on a Dm chord then,
> you could choose to use the D Dorian, D Phrygian or D Aeolian. All of
> these can be used to give you lines that are rooted in Dm but, each
> mode will give you a completely different feel. What I'm trying to say
> is, IMO they are really only relevant if you use them to get away from
> using the normal major or relative minor scale.
>
> Cliff

Bingo!

Also, mvm, what would be so hard about crediting Sue Foley with "Make It
Real"? For one thing, it would be easier to know just what your
contribution was, since one could find the original version and compare. I
know you won't see this since you've killfiled me, ;-) but perhaps you'll
see a response and think about it.

Don

Re: Less is More Playbook

On Thu, 22 May 2008 15:51:32 -0400, "Don Evans" <gtrdonevans@aol,com >
wrote:

>
>
>Cliff wrote:
>> On 22 May, 01:30, Pozitronik Vibe <Anti~Sociopath...@nospammyme,com >
>> wrote:
>>> There's 5 Blues Boxes and 7 modal Forms (they're not as 'boxy').
>>><<snip>>
>>> Gb or F# LOCRIAN [vii]
>>><<snip inverted chart>>
>>> G IONIAN [I] (MAJOR) form
>>><<snip inverted chart>>
>>> A DORIAN [ii]
>>><<snip inverted chart>>
>>> B PHRYGIAN [iii]
>>><<snip inverted chart>>
>>> C LYDIAN [IV]
>>><<snip inverted chart>>
>>> D MIXOLYDIAN [V]
>>><<snip inverted chart>>
>>> E AEOLION [vi] (Rel. Minor) <-- ****
>>><<snip inverted chart>>
>>> Gb or F# LOCRIAN [vii]
>>>
>>> :-) mvm
>>>
>>> http :// tinygurl,com /2hj395
>>
>>
>> Don't take this the wrong way but, are modes really relevant if you
>> play Ionian, Dorian, Phrygian etc all from the same key centre over a
>> piece of music based around that key centre? After all that's just
>> playing in one major key over a set of chords from that major key.
>>
>> IMO modes are really only useful if you use them in the same way as
>> the jazz players of the 1960's (I don't mean that you can only use
>> them for jazz).
>>
>> Modes give you a choice of scale you can use over a particulate chord
>> vamp. e.g. If you play over a repeating vamp based on a Dm chord then,
>> you could choose to use the D Dorian, D Phrygian or D Aeolian. All of
>> these can be used to give you lines that are rooted in Dm but, each
>> mode will give you a completely different feel. What I'm trying to say
>> is, IMO they are really only relevant if you use them to get away from
>> using the normal major or relative minor scale.
>>
>> Cliff
>
>Bingo!
>
>Also, mvm, what would be so hard about crediting Sue Foley with "Make It
>Real"? For one thing, it would be easier to know just what your
>contribution was, since one could find the original version and compare. I
>know you won't see this since you've killfiled me, ;-) but perhaps you'll
>see a response and think about it.
>
>Don
>
Mullet think or be considerate? Naw!

Re: Less is More Playbook

> Don Evans wrote:
>
> Bingo!
>
> Also, mvm, what would be so hard about crediting Sue Foley with "Make It
> Real"? For one thing, it would be easier to know just what your
> contribution was, since one could find the original version and compare. I
> know you won't see this since you've killfiled me, ;-) but perhaps you'll
> see a response and think about it.
>
> Don
>
>
Ahhh... that's not Sue Foley. Go listen to whatever version she may
have sung and played of that tune. My guitar playing bothers you? Don't
listen to it. And if you do want to know, my guitar kicks in at :07. I
start w/ 3 notes :07-:10 and play throughout. The tone is *very*
distinct in the mix. Again, no like? no click!

http :// soundclick,com /share?songide64582

As to "Bingo", my answer to Cliff may well annoy you, so don't read it
either, Don. How zat workin' for ya? mvm

Re: Less is More Playbook

On Thu, 22 May 2008 15:05:08 -0700, Pozitronik Vibe
<Anti~Sociopathcon@nospammyme,com > wrote:

>> Don Evans wrote:
>>
>> Bingo!
>>
>> Also, mvm, what would be so hard about crediting Sue Foley with "Make It
>> Real"? For one thing, it would be easier to know just what your
>> contribution was, since one could find the original version and compare. I
>> know you won't see this since you've killfiled me, ;-) but perhaps you'll
>> see a response and think about it.
>>
>> Don
>>
>>
>Ahhh... that's _not_ Sue Foley. Go listen to whatever version she may
>have sung and played of that tune. My guitar playing bothers you? Don't
>listen to it. And if you do want to know, my guitar kicks in at :07.

Yeah, and by :08 you stomp over Sue's vocals. Don't solo over the
vocals. Ever.

>I
>start w/ 3 notes :07-:10 and play throughout. The tone is *very*
>distinct in the mix. Again, no like? no click!
>
> http :// soundclick,com /share?songid=6564582
>
>As to "Bingo", my answer to Cliff may well annoy you, so don't read it
>either, Don. How zat workin' for ya? mvm

Re: Less is More Playbook



jimmy wrote:
> On Thu, 22 May 2008 15:05:08 -0700, Pozitronik Vibe
> <Anti~Sociopathcon@nospammyme,com > wrote:
>
>>> Don Evans wrote:
>>>
>>> Bingo!
>>>
>>> Also, mvm, what would be so hard about crediting Sue Foley with
>>> "Make It Real"? For one thing, it would be easier to know just
>>> what your contribution was, since one could find the original
>>> version and compare. I know you won't see this since you've
>>> killfiled me, ;-) but perhaps you'll see a response and think about
>>> it.
>>>
>>> Don
>>>
>>>
>> Ahhh... that's _not_ Sue Foley. Go listen to whatever version she may
>> have sung and played of that tune. My guitar playing bothers you?
>> Don't listen to it. And if you do want to know, my guitar kicks in
>> at :07.

So, I guess I'm not killfiled after all. :-/

MVM, I don't care one way or another about your guitar playing. You have
fun playing, and I wish that were enough for you .. I just don't see why,
having admitted you use other's tracks, you just don't credit them. Feel
free to nym shift so I'll see your response.

>
> Yeah, and by :08 you stomp over Sue's vocals. Don't solo over the
> vocals. Ever.
>
>> I
>> start w/ 3 notes :07-:10 and play throughout. The tone is *very*
>> distinct in the mix. Again, no like? no click!
>>
>> http :// soundclick,com /share?songid=6564582

That must be one of the links you don't want me to click on!

>>
>> As to "Bingo", my answer to Cliff may well annoy you, so don't read
>> it either, Don. How zat workin' for ya? mvm

Unless you are much less smart than I think you are, you *do* understand
that Bingo was not said to you, but rather about another post on the same
subject. I guess "zat" doesn't work so well for you .. sorry 'bout that.

Unless you nym shift, I don't see your posts at all except through others'
posts. That would work great if you didn't have the burning desire for
everyone to see what you say. PLEASE kill file me!

Yours truly,

Don

Re: Less is More Playbook

Don Evans wrote:
>
> PLEASE kill file me!
>
> Yours truly,
>
> Don
>
>
;-) http :// soundclick,com /share?songidd31119

Re: Less is More Playbook

jimmy wrote:
> On Thu, 22 May 2008 15:05:08 -0700, Pozitronik Vibe
> <Anti~Sociopathcon@nospammyme,com > wrote:
>
>>> Don Evans wrote:
>>>
>>> Bingo!
>>>
>>> Also, mvm, what would be so hard about crediting Sue Foley with "Make It
>>> Real"? For one thing, it would be easier to know just what your
>>> contribution was, since one could find the original version and compare. I
>>> know you won't see this since you've killfiled me, ;-) but perhaps you'll
>>> see a response and think about it.
>>>
>>> Don
>>>
>>>
>> Ahhh... that's not Sue Foley. Go listen to whatever version she may
>> have sung and played of that tune. My guitar playing bothers you? Don't
>> listen to it. And if you do want to know, my guitar kicks in at :07.
>
> Yeah, and by :08 you stomp over Sue's vocals. Don't solo over the
> vocals. Ever.
>
>> I
>> start w/ 3 notes :07-:10 and play throughout. The tone is *very*
>> distinct in the mix. Again, no like? no click!
>>
>> http :// soundclick,com /share?songide64582
>>
>> As to "Bingo", my answer to Cliff may well annoy you, so don't read it
>> either, Don. How zat workin' for ya? mvm
>

Of course I wouldn't live, but it's all *fun* recording and feeling the
music.

Ex/ These vocals don't say much, but my playing all over them was just
fun (for me).

http :// soundclick,com /share?songidd31119

So "jimmy" you can play traffic cop until your ass bleeds, I plain don't
give a fat baby's dick. Simon wants to hear from you. :-) mvm

Re: Less is More Playbook

On Fri, 23 May 2008 07:41:38 -0700, Pozitronik Vybe
<Anti~Socio-pathcon@nospammyme,net > wrote:

>jimmy wrote:
>> On Thu, 22 May 2008 15:05:08 -0700, Pozitronik Vibe
>> <Anti~Sociopathcon@nospammyme,com > wrote:
>>
>>>> Don Evans wrote:
>>>>
>>>> Bingo!
>>>>
>>>> Also, mvm, what would be so hard about crediting Sue Foley with "Make It
>>>> Real"? For one thing, it would be easier to know just what your
>>>> contribution was, since one could find the original version and compare. I
>>>> know you won't see this since you've killfiled me, ;-) but perhaps you'll
>>>> see a response and think about it.
>>>>
>>>> Don
>>>>
>>>>
>>> Ahhh... that's _not_ Sue Foley. Go listen to whatever version she may
>>> have sung and played of that tune. My guitar playing bothers you? Don't
>>> listen to it. And if you do want to know, my guitar kicks in at :07.
>>
>> Yeah, and by :08 you stomp over Sue's vocals. Don't solo over the
>> vocals. Ever.
>>
>>> I
>>> start w/ 3 notes :07-:10 and play throughout. The tone is *very*
>>> distinct in the mix. Again, no like? no click!
>>>
>>> http :// soundclick,com /share?songid=6564582
>>>
>>> As to "Bingo", my answer to Cliff may well annoy you, so don't read it
>>> either, Don. How zat workin' for ya? mvm
>>
>
>Of course I wouldn't live, but it's all *fun* recording and feeling the
>music.

Point is nobody wants to hear you "feeling the music" like that so you
should keep that shit to yourself.

>
>Ex/ These vocals don't say much, but my playing all over them was just
>fun (for me).
>
> http :// soundclick,com /share?songid=6431119

I'd rather listen to RR.

>
>So "jimmy" you can play traffic cop until your ass bleeds, I plain don't
> give a fat baby's dick. Simon wants to hear from you. :-) mvm

Re: Less is More Playbook

>>jimmy wrote:
>>
>> I'd rather listen to RR.

> Ex/ These vocals don't say much, but my playing all over them was just
> fun (for me).
>
> http :// soundclick,com /share?songidd31119
>
>
OK, RR ;-)...bye to your bigtoe!

Re: Less is More Playbook

On 22 May, 20:51, "Don Evans" <gtrdonev...@aol,com > wrote:
> Cliff wrote:
>snip
>
> > Don't take this the wrong way but, are modes really relevant if you
> > play Ionian, Dorian, Phrygian etc all from the same key centre over a
> > piece of music based around that key centre? After all that's just
> > playing in one major key over a set of chords from that major key.
>
> > IMO modes are really only useful if you use them in the same way as
> > the jazz players of the 1960's (I don't mean that you can only use
> > them for jazz).
>
> > Modes give you a choice of scale you can use over a particulate chord
> > vamp. e.g. If you play over a repeating vamp based on a Dm chord then,
> > you could choose to use the D Dorian, D Phrygian or D Aeolian. All of
> > these can be used to give you lines that are rooted in Dm but, each
> > mode will give you a completely different feel. What I'm trying to say
> > is, IMO they are really only relevant if you use them to get away from
> > using the normal major or relative minor scale.
>
> > Cliff
>
> Bingo!

Nice to know there's someone else out there on the same wave-
length ;-)

Cliff