Add group to favorites
Back to post list
Send new message to group Search:
Post Subject:
The "Big 5" :-)
Re: Hay8r Anti-Venom :-)
Don Evans wrote:
> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>> iarwain wrote:
>>>> last time I checked, Am was C major.
>>> They changed it in the last issue of Guitar World.
>>>
>>>
>>>
>> ---------------*C*----------------
>>>
>> Rmn
>> Num Mode Diatonic Harmony
>>
>> I---C Ionian------CMaj7 or/9 etc.
>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>> IV--F Lydian------FMaj7 or/9 etc.
>> V---G-Mixolydian--G7/9 or/9 etc.
>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>> vii-B-Locrian-----Bm7b5 or m9b5
>
> You just can't catch a break .... if your sticking to the notes in C, then
> you can't use Bm9b5. as the 9 is a C#. Of course, in reality you can play
> any note you want, but this is theory, right?
>
>> C
>> F
>> G
>> ?
>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>
>> ---------------------------or D Dorian, or E Phrygian !
>> |-------------|
>> |-------------|
>> -----------------------------Starting w/--------|
>> --------------------------------Box 1--------Box 2
>> --------------------------------Minor
>> --------------------------------Penta
>> ----------------------------------or
>> --------------------------------Blues
>> --------------------------------works
>> --------------------------------here
>>
>> Chord Extensions? Try D Melodic Minor and its modes here too.
>
> Any particular extension you had in mind? ;-)
>
> Don
>
>> :-) mvm
>
>
See the visual mod on the ascii guitar player then, b or # that 5th or 9 ;-)
Why, as long as we're fiddle farting around here in the key of C...did
you know that rather than play a G7b5b9 it's simpler to just substitute
a Db7? Don't tell any hay8rz you got that from me or they'll blow a
'rhoid and simultaneously erase the 7 times table from the next snack
their brain parasites were ready to feed bag on!
http :// tinyurl,com /2hj395
Don Evans wrote:
> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>> iarwain wrote:
>>>> last time I checked, Am was C major.
>>> They changed it in the last issue of Guitar World.
>>>
>>>
>>>
>> ---------------*C*----------------
>>>
>> Rmn
>> Num Mode Diatonic Harmony
>>
>> I---C Ionian------CMaj7 or/9 etc.
>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>> IV--F Lydian------FMaj7 or/9 etc.
>> V---G-Mixolydian--G7/9 or/9 etc.
>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>> vii-B-Locrian-----Bm7b5 or m9b5
>
> You just can't catch a break .... if your sticking to the notes in C, then
> you can't use Bm9b5. as the 9 is a C#. Of course, in reality you can play
> any note you want, but this is theory, right?
>
>> C
>> F
>> G
>> ?
>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>
>> ---------------------------or D Dorian, or E Phrygian !
>> |-------------|
>> |-------------|
>> -----------------------------Starting w/--------|
>> --------------------------------Box 1--------Box 2
>> --------------------------------Minor
>> --------------------------------Penta
>> ----------------------------------or
>> --------------------------------Blues
>> --------------------------------works
>> --------------------------------here
>>
>> Chord Extensions? Try D Melodic Minor and its modes here too.
>
> Any particular extension you had in mind? ;-)
>
> Don
>
>> :-) mvm
>
>
See the visual mod on the ascii guitar player then, b or # that 5th or 9 ;-)
Why, as long as we're fiddle farting around here in the key of C...did
you know that rather than play a G7b5b9 it's simpler to just substitute
a Db7? Don't tell any hay8rz you got that from me or they'll blow a
'rhoid and simultaneously erase the 7 times table from the next snack
their brain parasites were ready to feed bag on!
http :// tinyurl,com /2hj395
Re: Hay8r Anti-Venom :-)
Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
> Don Evans wrote:
>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>> iarwain wrote:
>>>>> last time I checked, Am was C major.
>>>> They changed it in the last issue of Guitar World.
>>>>
>>>>
>>>>
>>> ---------------*C*----------------
>>>>
>>> Rmn
>>> _Num_ _Mode_ _Diatonic Harmony_
>>>
>>> I---C Ionian------CMaj7 or/9 etc.
>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>> IV--F Lydian------FMaj7 or/9 etc.
>>> V---G-Mixolydian--G7/9 or/9 etc.
>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>> vii-B-Locrian-----Bm7b5 or m9b5
>>
>> You just can't catch a break .... if your sticking to the notes in
>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>> reality you can play any note you want, but this is theory, right?
>>
>>> C
>>> F
>>> G
>>> ?
>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>
>>> ---------------------------or D Dorian, or E Phrygian !
>>> |-------------|
>>> |-------------|
>>> -----------------------------Starting w/--------|
>>> --------------------------------Box 1--------Box 2
>>> --------------------------------Minor
>>> --------------------------------Penta
>>> ----------------------------------or
>>> --------------------------------Blues
>>> --------------------------------works
>>> --------------------------------here
>>>
>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>
>> Any particular extension you had in mind? ;-)
>>
>> Don
>>
>>> :-) mvm
>>
>>
> See the visual mod on the ascii guitar player then, b or # that 5th
> or 9 ;-)
yeah, or Bmb5b9 would work
> Why, as long as we're fiddle farting around here in the key of C...did
> you know that rather than play a G7b5b9 it's simpler to just
> substitute a Db7?
Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
>Don't tell any hay8rz you got that from me or they'll blow a
> 'rhoid and simultaneously erase the 7 times table from the next snack
> their brain parasites were ready to feed bag on!
Just in case you'd like to see more ...
http :// en.wikipedia.org/wiki/Tritone_substitution
Don
Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
> Don Evans wrote:
>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>> iarwain wrote:
>>>>> last time I checked, Am was C major.
>>>> They changed it in the last issue of Guitar World.
>>>>
>>>>
>>>>
>>> ---------------*C*----------------
>>>>
>>> Rmn
>>> _Num_ _Mode_ _Diatonic Harmony_
>>>
>>> I---C Ionian------CMaj7 or/9 etc.
>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>> IV--F Lydian------FMaj7 or/9 etc.
>>> V---G-Mixolydian--G7/9 or/9 etc.
>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>> vii-B-Locrian-----Bm7b5 or m9b5
>>
>> You just can't catch a break .... if your sticking to the notes in
>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>> reality you can play any note you want, but this is theory, right?
>>
>>> C
>>> F
>>> G
>>> ?
>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>
>>> ---------------------------or D Dorian, or E Phrygian !
>>> |-------------|
>>> |-------------|
>>> -----------------------------Starting w/--------|
>>> --------------------------------Box 1--------Box 2
>>> --------------------------------Minor
>>> --------------------------------Penta
>>> ----------------------------------or
>>> --------------------------------Blues
>>> --------------------------------works
>>> --------------------------------here
>>>
>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>
>> Any particular extension you had in mind? ;-)
>>
>> Don
>>
>>> :-) mvm
>>
>>
> See the visual mod on the ascii guitar player then, b or # that 5th
> or 9 ;-)
yeah, or Bmb5b9 would work
> Why, as long as we're fiddle farting around here in the key of C...did
> you know that rather than play a G7b5b9 it's simpler to just
> substitute a Db7?
Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
>Don't tell any hay8rz you got that from me or they'll blow a
> 'rhoid and simultaneously erase the 7 times table from the next snack
> their brain parasites were ready to feed bag on!
Just in case you'd like to see more ...
http :// en.wikipedia.org/wiki/Tritone_substitution
Don
Re: Hay8r Anti-Venom :-)
On Fri, 9 May 2008 02:18:22 -0400, "Don Evans" <gtrdonevans@aol,com >
wrote:
>
>
>Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>> Don Evans wrote:
>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>> iarwain wrote:
>>>>>> last time I checked, Am was C major.
>>>>> They changed it in the last issue of Guitar World.
>>>>>
>>>>>
>>>>>
>>>> ---------------*C*----------------
>>>>>
>>>> Rmn
>>>> _Num_ _Mode_ _Diatonic Harmony_
>>>>
>>>> I---C Ionian------CMaj7 or/9 etc.
>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>>
>>> You just can't catch a break .... if your sticking to the notes in
>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>> reality you can play any note you want, but this is theory, right?
>>>
>>>> C
>>>> F
>>>> G
>>>> ?
>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>
>>>> ---------------------------or D Dorian, or E Phrygian !
>>>> |-------------|
>>>> |-------------|
>>>> -----------------------------Starting w/--------|
>>>> --------------------------------Box 1--------Box 2
>>>> --------------------------------Minor
>>>> --------------------------------Penta
>>>> ----------------------------------or
>>>> --------------------------------Blues
>>>> --------------------------------works
>>>> --------------------------------here
>>>>
>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>>
>>> Any particular extension you had in mind? ;-)
>>>
>>> Don
>>>
>>>> :-) mvm
>>>
>>>
>> See the visual mod on the ascii guitar player then, b or # that 5th
>> or 9 ;-)
>
>yeah, or Bmb5b9 would work
>
>
>> Why, as long as we're fiddle farting around here in the key of C...did
>> you know that rather than play a G7b5b9 it's simpler to just
>> substitute a Db7?
>
>Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
>
>>Don't tell any hay8rz you got that from me or they'll blow a
>> 'rhoid and simultaneously erase the 7 times table from the next snack
>> their brain parasites were ready to feed bag on!
>
>
>Just in case you'd like to see more ...
> http :// en.wikipedia.org/wiki/Tritone_substitution
>
>Don
>
You forget..Mules can't read..nor play guitar...but somehow this one
has evolved from ape molester to cut and paste artist...with practice,
it might get the idea that his shit is boring and no one wants to read
it. And if they did, they would likely just go to the real site and
skip professor Muley..
On Fri, 9 May 2008 02:18:22 -0400, "Don Evans" <gtrdonevans@aol,com >
wrote:
>
>
>Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>> Don Evans wrote:
>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>> iarwain wrote:
>>>>>> last time I checked, Am was C major.
>>>>> They changed it in the last issue of Guitar World.
>>>>>
>>>>>
>>>>>
>>>> ---------------*C*----------------
>>>>>
>>>> Rmn
>>>> _Num_ _Mode_ _Diatonic Harmony_
>>>>
>>>> I---C Ionian------CMaj7 or/9 etc.
>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>>
>>> You just can't catch a break .... if your sticking to the notes in
>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>> reality you can play any note you want, but this is theory, right?
>>>
>>>> C
>>>> F
>>>> G
>>>> ?
>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>
>>>> ---------------------------or D Dorian, or E Phrygian !
>>>> |-------------|
>>>> |-------------|
>>>> -----------------------------Starting w/--------|
>>>> --------------------------------Box 1--------Box 2
>>>> --------------------------------Minor
>>>> --------------------------------Penta
>>>> ----------------------------------or
>>>> --------------------------------Blues
>>>> --------------------------------works
>>>> --------------------------------here
>>>>
>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>>
>>> Any particular extension you had in mind? ;-)
>>>
>>> Don
>>>
>>>> :-) mvm
>>>
>>>
>> See the visual mod on the ascii guitar player then, b or # that 5th
>> or 9 ;-)
>
>yeah, or Bmb5b9 would work
>
>
>> Why, as long as we're fiddle farting around here in the key of C...did
>> you know that rather than play a G7b5b9 it's simpler to just
>> substitute a Db7?
>
>Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
>
>>Don't tell any hay8rz you got that from me or they'll blow a
>> 'rhoid and simultaneously erase the 7 times table from the next snack
>> their brain parasites were ready to feed bag on!
>
>
>Just in case you'd like to see more ...
> http :// en.wikipedia.org/wiki/Tritone_substitution
>
>Don
>
You forget..Mules can't read..nor play guitar...but somehow this one
has evolved from ape molester to cut and paste artist...with practice,
it might get the idea that his shit is boring and no one wants to read
it. And if they did, they would likely just go to the real site and
skip professor Muley..
Re: Hay8r Anti-Venom :-)
Don Evans wrote:
> > Why, as long as we're fiddle farting around here in the key of C...did
> > you know that rather than play a G7b5b9 it's simpler to just
> > substitute a Db7?
>
> Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
Actually, the essential characteristic of that chord (G7b5b9) is the tension
created between the root and the minor ninth, which would *not* be present if a
Db7 is subbed.
While in many cases roots (and fifths) are considered
superfluous, this isn't one of them. Bad sub.
Lord Valve
Organist
Don Evans wrote:
> > Why, as long as we're fiddle farting around here in the key of C...did
> > you know that rather than play a G7b5b9 it's simpler to just
> > substitute a Db7?
>
> Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
Actually, the essential characteristic of that chord (G7b5b9) is the tension
created between the root and the minor ninth, which would *not* be present if a
Db7 is subbed.
While in many cases roots (and fifths) are considered
superfluous, this isn't one of them. Bad sub.
Lord Valve
Organist
Re: Hay8r Anti-Venom :-)
Don Evans wrote:
> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>> Don Evans wrote:
>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>> iarwain wrote:
>>>>>> last time I checked, Am was C major.
>>>>> They changed it in the last issue of Guitar World.
>>>>>
>>>>>
>>>>>
>>>> ---------------*C*----------------
>>>> Rmn
>>>> Num Mode Diatonic Harmony
>>>>
>>>> I---C Ionian------CMaj7 or/9 etc.
>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>> You just can't catch a break .... if your sticking to the notes in
>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>> reality you can play any note you want, but this is theory, right?
>>>
>>>> C
>>>> F
>>>> G
>>>> ?
>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>
>>>> ---------------------------or D Dorian, or E Phrygian !
>>>> |-------------|
>>>> |-------------|
>>>> -----------------------------Starting w/--------|
>>>> --------------------------------Box 1--------Box 2
>>>> --------------------------------Minor
>>>> --------------------------------Penta
>>>> ----------------------------------or
>>>> --------------------------------Blues
>>>> --------------------------------works
>>>> --------------------------------here
>>>>
>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>> Any particular extension you had in mind? ;-)
>>>
>>> Don
>>>
>>>> :-) mvm
>>>
>> See the visual mod on the ascii guitar player then, b or # that 5th
>> or 9 ;-)
>
> yeah, or Bmb5b9 would work
>
>
>> Why, as long as we're fiddle farting around here in the key of C...did
>> you know that rather than play a G7b5b9 it's simpler to just
>> substitute a Db7?
>
> Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
>
Yup, 5th of the 5th.
>
>> Don't tell any hay8rz you got that from me or they'll blow a
>> 'rhoid and simultaneously erase the 7 times table from the next snack
>> their brain parasites were ready to feed bag on!
>
>
> Just in case you'd like to see more ...
> http :// en.wikipedia.org/wiki/Tritone substitution
>
> Don
>
>
Thanks Don, I'll have a look. When people stop learning, they stop. :-) mvm
Don Evans wrote:
> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>> Don Evans wrote:
>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>> iarwain wrote:
>>>>>> last time I checked, Am was C major.
>>>>> They changed it in the last issue of Guitar World.
>>>>>
>>>>>
>>>>>
>>>> ---------------*C*----------------
>>>> Rmn
>>>> Num Mode Diatonic Harmony
>>>>
>>>> I---C Ionian------CMaj7 or/9 etc.
>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>> You just can't catch a break .... if your sticking to the notes in
>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>> reality you can play any note you want, but this is theory, right?
>>>
>>>> C
>>>> F
>>>> G
>>>> ?
>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>
>>>> ---------------------------or D Dorian, or E Phrygian !
>>>> |-------------|
>>>> |-------------|
>>>> -----------------------------Starting w/--------|
>>>> --------------------------------Box 1--------Box 2
>>>> --------------------------------Minor
>>>> --------------------------------Penta
>>>> ----------------------------------or
>>>> --------------------------------Blues
>>>> --------------------------------works
>>>> --------------------------------here
>>>>
>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>> Any particular extension you had in mind? ;-)
>>>
>>> Don
>>>
>>>> :-) mvm
>>>
>> See the visual mod on the ascii guitar player then, b or # that 5th
>> or 9 ;-)
>
> yeah, or Bmb5b9 would work
>
>
>> Why, as long as we're fiddle farting around here in the key of C...did
>> you know that rather than play a G7b5b9 it's simpler to just
>> substitute a Db7?
>
> Tritone substitution is what that's called, FYI. Jazz reharmonization 101.
>
Yup, 5th of the 5th.
>
>> Don't tell any hay8rz you got that from me or they'll blow a
>> 'rhoid and simultaneously erase the 7 times table from the next snack
>> their brain parasites were ready to feed bag on!
>
>
> Just in case you'd like to see more ...
> http :// en.wikipedia.org/wiki/Tritone substitution
>
> Don
>
>
Thanks Don, I'll have a look. When people stop learning, they stop. :-) mvm
Re: Hay8r Anti-Venom :-)
Gamma Ray Bursts U wrote:
> Don Evans wrote:
>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>> Don Evans wrote:
>>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>>> iarwain wrote:
>>>>>>> last time I checked, Am was C major.
>>>>>> They changed it in the last issue of Guitar World.
>>>>>>
>>>>>>
>>>>>>
>>>>> ---------------*C*----------------
>>>>> Rmn
>>>>> _Num_ _Mode_ _Diatonic Harmony_
>>>>>
>>>>> I---C Ionian------CMaj7 or/9 etc.
>>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>>> You just can't catch a break .... if your sticking to the notes in
>>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>>> reality you can play any note you want, but this is theory, right?
>>>>
>>>>> C
>>>>> F
>>>>> G
>>>>> ?
>>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>>
>>>>> ---------------------------or D Dorian, or E Phrygian !
>>>>> |-------------|
>>>>> |-------------|
>>>>> -----------------------------Starting w/--------|
>>>>> --------------------------------Box 1--------Box 2
>>>>> --------------------------------Minor
>>>>> --------------------------------Penta
>>>>> ----------------------------------or
>>>>> --------------------------------Blues
>>>>> --------------------------------works
>>>>> --------------------------------here
>>>>>
>>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>>> Any particular extension you had in mind? ;-)
>>>>
>>>> Don
>>>>
>>>>> :-) mvm
>>>>
>>> See the visual mod on the ascii guitar player then, b or # that 5th
>>> or 9 ;-)
>>
>> yeah, or Bmb5b9 would work
>>
>>
>>> Why, as long as we're fiddle farting around here in the key of
>>> C...did you know that rather than play a G7b5b9 it's simpler to just
>>> substitute a Db7?
>>
>> Tritone substitution is what that's called, FYI. Jazz
>> reharmonization 101.
> Yup, 5th of the 5th.
Actually, *that* would be D, not Db.
>>> Don't tell any hay8rz you got that from me or they'll blow a
>>> 'rhoid and simultaneously erase the 7 times table from the next
>>> snack their brain parasites were ready to feed bag on!
>>
>>
>> Just in case you'd like to see more ...
>> http :// en.wikipedia.org/wiki/Tritone_substitution
>>
>> Don
>>
>>
> Thanks Don, I'll have a look. When people stop learning, they stop.
> :-) mvm
Gamma Ray Bursts U wrote:
> Don Evans wrote:
>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>> Don Evans wrote:
>>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>>> iarwain wrote:
>>>>>>> last time I checked, Am was C major.
>>>>>> They changed it in the last issue of Guitar World.
>>>>>>
>>>>>>
>>>>>>
>>>>> ---------------*C*----------------
>>>>> Rmn
>>>>> _Num_ _Mode_ _Diatonic Harmony_
>>>>>
>>>>> I---C Ionian------CMaj7 or/9 etc.
>>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>>> You just can't catch a break .... if your sticking to the notes in
>>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>>> reality you can play any note you want, but this is theory, right?
>>>>
>>>>> C
>>>>> F
>>>>> G
>>>>> ?
>>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>>
>>>>> ---------------------------or D Dorian, or E Phrygian !
>>>>> |-------------|
>>>>> |-------------|
>>>>> -----------------------------Starting w/--------|
>>>>> --------------------------------Box 1--------Box 2
>>>>> --------------------------------Minor
>>>>> --------------------------------Penta
>>>>> ----------------------------------or
>>>>> --------------------------------Blues
>>>>> --------------------------------works
>>>>> --------------------------------here
>>>>>
>>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>>> Any particular extension you had in mind? ;-)
>>>>
>>>> Don
>>>>
>>>>> :-) mvm
>>>>
>>> See the visual mod on the ascii guitar player then, b or # that 5th
>>> or 9 ;-)
>>
>> yeah, or Bmb5b9 would work
>>
>>
>>> Why, as long as we're fiddle farting around here in the key of
>>> C...did you know that rather than play a G7b5b9 it's simpler to just
>>> substitute a Db7?
>>
>> Tritone substitution is what that's called, FYI. Jazz
>> reharmonization 101.
> Yup, 5th of the 5th.
Actually, *that* would be D, not Db.
>>> Don't tell any hay8rz you got that from me or they'll blow a
>>> 'rhoid and simultaneously erase the 7 times table from the next
>>> snack their brain parasites were ready to feed bag on!
>>
>>
>> Just in case you'd like to see more ...
>> http :// en.wikipedia.org/wiki/Tritone_substitution
>>
>> Don
>>
>>
> Thanks Don, I'll have a look. When people stop learning, they stop.
> :-) mvm
Re: Hay8r Anti-Venom :-)
Don Evans wrote:
> Gamma Ray Bursts U wrote:
>> Don Evans wrote:
>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>> Don Evans wrote:
>>>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>>>> iarwain wrote:
>>>>>>>> last time I checked, Am was C major.
>>>>>>> They changed it in the last issue of Guitar World.
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>> ---------------*C*----------------
>>>>>> Rmn
>>>>>> Num Mode Diatonic Harmony
>>>>>>
>>>>>> I---C Ionian------CMaj7 or/9 etc.
>>>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>>>> You just can't catch a break .... if your sticking to the notes in
>>>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>>>> reality you can play any note you want, but this is theory, right?
>>>>>
>>>>>> C
>>>>>> F
>>>>>> G
>>>>>> ?
>>>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>>>
>>>>>> ---------------------------or D Dorian, or E Phrygian !
>>>>>> |-------------|
>>>>>> |-------------|
>>>>>> -----------------------------Starting w/--------|
>>>>>> --------------------------------Box 1--------Box 2
>>>>>> --------------------------------Minor
>>>>>> --------------------------------Penta
>>>>>> ----------------------------------or
>>>>>> --------------------------------Blues
>>>>>> --------------------------------works
>>>>>> --------------------------------here
>>>>>>
>>>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>>>> Any particular extension you had in mind? ;-)
>>>>>
>>>>> Don
>>>>>
>>>>>> :-) mvm
>>>> See the visual mod on the ascii guitar player then, b or # that 5th
>>>> or 9 ;-)
>>> yeah, or Bmb5b9 would work
>>>
>>>
>>>> Why, as long as we're fiddle farting around here in the key of
>>>> C...did you know that rather than play a G7b5b9 it's simpler to just
>>>> substitute a Db7?
>>> Tritone substitution is what that's called, FYI. Jazz
>>> reharmonization 101.
>> Yup, 5th of the 5th.
>
> Actually, *that* would be D, not Db.
>
>>>> Don't tell any hay8rz you got that from me or they'll blow a
>>>> 'rhoid and simultaneously erase the 7 times table from the next
>>>> snack their brain parasites were ready to feed bag on!
>>>
>>> Just in case you'd like to see more ...
>>> http :// en.wikipedia.org/wiki/Tritone substitution
>>>
>>> Don
>>>
>>>
>> Thanks Don, I'll have a look. When people stop learning, they stop.
>> :-) mvm
>
>
Close enough for generally memorized "theory". That's what our ear's and
instruments are for!
*Great* learning book (for me, learn all music on my own, not formally
degreed in it):
Bruce Emery's JAZZ FOR THE SKEPTICAL GUITARIST
Don Evans wrote:
> Gamma Ray Bursts U wrote:
>> Don Evans wrote:
>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>> Don Evans wrote:
>>>>> Gamma Ray Bursts U" <"fixed-4.41x82x wrote:
>>>>>> iarwain wrote:
>>>>>>>> last time I checked, Am was C major.
>>>>>>> They changed it in the last issue of Guitar World.
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>> ---------------*C*----------------
>>>>>> Rmn
>>>>>> Num Mode Diatonic Harmony
>>>>>>
>>>>>> I---C Ionian------CMaj7 or/9 etc.
>>>>>> ii--D Dorian------Dm7 or/9 etc. <--MINOR SCALE
>>>>>> iii-E Phrygian----Em7 or/9 etc. <--MINOR SCALE
>>>>>> IV--F Lydian------FMaj7 or/9 etc.
>>>>>> V---G-Mixolydian--G7/9 or/9 etc.
>>>>>> vi--A-Aolian------Am7/ or/9 etc.<--*RELATIVE* *MINOR*
>>>>>> vii-B-Locrian-----Bm7b5 or m9b5
>>>>> You just can't catch a break .... if your sticking to the notes in
>>>>> C, then you can't use Bm9b5. as the 9 is a C#. Of course, in
>>>>> reality you can play any note you want, but this is theory, right?
>>>>>
>>>>>> C
>>>>>> F
>>>>>> G
>>>>>> ?
>>>>>> Wank away in and out of Am [Aeolian]...(or Blues Box 4)
>>>>>>
>>>>>> ---------------------------or D Dorian, or E Phrygian !
>>>>>> |-------------|
>>>>>> |-------------|
>>>>>> -----------------------------Starting w/--------|
>>>>>> --------------------------------Box 1--------Box 2
>>>>>> --------------------------------Minor
>>>>>> --------------------------------Penta
>>>>>> ----------------------------------or
>>>>>> --------------------------------Blues
>>>>>> --------------------------------works
>>>>>> --------------------------------here
>>>>>>
>>>>>> Chord Extensions? Try D Melodic Minor and its modes here too.
>>>>> Any particular extension you had in mind? ;-)
>>>>>
>>>>> Don
>>>>>
>>>>>> :-) mvm
>>>> See the visual mod on the ascii guitar player then, b or # that 5th
>>>> or 9 ;-)
>>> yeah, or Bmb5b9 would work
>>>
>>>
>>>> Why, as long as we're fiddle farting around here in the key of
>>>> C...did you know that rather than play a G7b5b9 it's simpler to just
>>>> substitute a Db7?
>>> Tritone substitution is what that's called, FYI. Jazz
>>> reharmonization 101.
>> Yup, 5th of the 5th.
>
> Actually, *that* would be D, not Db.
>
>>>> Don't tell any hay8rz you got that from me or they'll blow a
>>>> 'rhoid and simultaneously erase the 7 times table from the next
>>>> snack their brain parasites were ready to feed bag on!
>>>
>>> Just in case you'd like to see more ...
>>> http :// en.wikipedia.org/wiki/Tritone substitution
>>>
>>> Don
>>>
>>>
>> Thanks Don, I'll have a look. When people stop learning, they stop.
>> :-) mvm
>
>
Close enough for generally memorized "theory". That's what our ear's and
instruments are for!
*Great* learning book (for me, learn all music on my own, not formally
degreed in it):
Bruce Emery's JAZZ FOR THE SKEPTICAL GUITARIST
Re: The "Big 5" :-)
On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
cks,net > wrote:
> We'll Use the key of Am (G Major) because SO much seems to be played there.
Okay, I will bite. Once!
A minor is not G major, you doofus. A minor corresponds to C major. G
major corresponds to E minor.
> Know this though- you've got to practice in every key. Focus
> on just one to get going though, that's normal, because everything at
> once can easily overwhelm.
>
> |-5-|---|---|-8-|---|---|---|
> |-5-|*6-|-7-|---|---|---|---|
> |-5-|---|-7-|---|---|---|---|
> |-5-|---|-7-|---|---|---|---|
> |-5-|---|---|-8-|---|---|---|
> |-5-|---|---|-8-|---|---|---|
> Blues Box 1
You spamming twit, this is neither A minor pentatonic, nor E minor
pentatonic (doesn't even have the E note). You are not consistently
using the same minor pentatonic scale across both octaves.
That E, incidentally, is needed because it is the fifth above the A.
Or perhaps you don't think that the minor pentatonic has a fifth?
The blues scale, if there is such a thing, is a combination of three
ingredients: a superimposed minor and major pentatonic scale, plus the
tritone.
The Box 1 A minor pentatonic (with tritones added) looks like this:
V
|-R-|---|---|-*-|
|-*-|---|---|-*-|
|-*-|---|-*-|-T-|
|-*-|---|-R-|---|
|-*-|-T-|-*-|---|
|-R-|---|---|-*-|
Roots (A) shown as R, tritone (Eb) shown as T.
Also, your numbers are redundant because they just indicate the fret
position. This is a wasteful notation. A single symbol, like the roman
numeral V, can establish the box's position on the fretboard.
> http :// tinyurl,com /*****
Spam URL.
On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
cks,net > wrote:
> We'll Use the key of Am (G Major) because SO much seems to be played there.
Okay, I will bite. Once!
A minor is not G major, you doofus. A minor corresponds to C major. G
major corresponds to E minor.
> Know this though- you've got to practice in every key. Focus
> on just one to get going though, that's normal, because everything at
> once can easily overwhelm.
>
> |-5-|---|---|-8-|---|---|---|
> |-5-|*6-|-7-|---|---|---|---|
> |-5-|---|-7-|---|---|---|---|
> |-5-|---|-7-|---|---|---|---|
> |-5-|---|---|-8-|---|---|---|
> |-5-|---|---|-8-|---|---|---|
> Blues Box 1
You spamming twit, this is neither A minor pentatonic, nor E minor
pentatonic (doesn't even have the E note). You are not consistently
using the same minor pentatonic scale across both octaves.
That E, incidentally, is needed because it is the fifth above the A.
Or perhaps you don't think that the minor pentatonic has a fifth?
The blues scale, if there is such a thing, is a combination of three
ingredients: a superimposed minor and major pentatonic scale, plus the
tritone.
The Box 1 A minor pentatonic (with tritones added) looks like this:
V
|-R-|---|---|-*-|
|-*-|---|---|-*-|
|-*-|---|-*-|-T-|
|-*-|---|-R-|---|
|-*-|-T-|-*-|---|
|-R-|---|---|-*-|
Roots (A) shown as R, tritone (Eb) shown as T.
Also, your numbers are redundant because they just indicate the fret
position. This is a wasteful notation. A single symbol, like the roman
numeral V, can establish the box's position on the fretboard.
> http :// tinyurl,com /*****
Spam URL.
Re: The "Big 5" :-)
Kaz Kylheku <kkylheku@gmail,com > wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my_pa-
> cks,net > wrote:
>> Know this though- you've got to practice in every key. Focus
>> on just one to get going though, that's normal, because everything at
>> once can easily overwhelm.
>>
>>> -5-|---|---|-8-|---|---|---|
>>> -5-|*6-|-7-|---|---|---|---|
>>> -5-|---|-7-|---|---|---|---|
>>> -5-|---|-7-|---|---|---|---|
>>> -5-|---|---|-8-|---|---|---|
>>> -5-|---|---|-8-|---|---|---|
>> Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
He's left-handed; he's got the box upside-down.
Kaz Kylheku <kkylheku@gmail,com > wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my_pa-
> cks,net > wrote:
>> Know this though- you've got to practice in every key. Focus
>> on just one to get going though, that's normal, because everything at
>> once can easily overwhelm.
>>
>>> -5-|---|---|-8-|---|---|---|
>>> -5-|*6-|-7-|---|---|---|---|
>>> -5-|---|-7-|---|---|---|---|
>>> -5-|---|-7-|---|---|---|---|
>>> -5-|---|---|-8-|---|---|---|
>>> -5-|---|---|-8-|---|---|---|
>> Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
He's left-handed; he's got the box upside-down.
Re: The "Big 5" :-)
RichL wrote:
> Kaz Kylheku <kkylheku@gmail,com > wrote:
> > On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my_pa-
> > cks,net > wrote:
>
> >> Know this though- you've got to practice in every key. Focus
> >> on just one to get going though, that's normal, because everything at
> >> once can easily overwhelm.
> >>
> >>> -5-|---|---|-8-|---|---|---|
> >>> -5-|*6-|-7-|---|---|---|---|
> >>> -5-|---|-7-|---|---|---|---|
> >>> -5-|---|-7-|---|---|---|---|
> >>> -5-|---|---|-8-|---|---|---|
> >>> -5-|---|---|-8-|---|---|---|
> >> Blues Box 1
> >
> > You spamming twit, this is neither A minor pentatonic, nor E minor
> > pentatonic (doesn't even have the E note). You are not consistently
> > using the same minor pentatonic scale across both octaves.
>
> He's left-handed; he's got the box upside-down.
Actually, that shouldn't have made any difference, since he's usually
hanging by his heels from the ceiling when he posts this shit...
Lord Valve
BaaaaaarrrrrrAAAAAACCCCCCKKKKKK!!!! <Safety!>
RichL wrote:
> Kaz Kylheku <kkylheku@gmail,com > wrote:
> > On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my_pa-
> > cks,net > wrote:
>
> >> Know this though- you've got to practice in every key. Focus
> >> on just one to get going though, that's normal, because everything at
> >> once can easily overwhelm.
> >>
> >>> -5-|---|---|-8-|---|---|---|
> >>> -5-|*6-|-7-|---|---|---|---|
> >>> -5-|---|-7-|---|---|---|---|
> >>> -5-|---|-7-|---|---|---|---|
> >>> -5-|---|---|-8-|---|---|---|
> >>> -5-|---|---|-8-|---|---|---|
> >> Blues Box 1
> >
> > You spamming twit, this is neither A minor pentatonic, nor E minor
> > pentatonic (doesn't even have the E note). You are not consistently
> > using the same minor pentatonic scale across both octaves.
>
> He's left-handed; he's got the box upside-down.
Actually, that shouldn't have made any difference, since he's usually
hanging by his heels from the ceiling when he posts this shit...
Lord Valve
BaaaaaarrrrrrAAAAAACCCCCCKKKKKK!!!! <Safety!>
Re: The "Big 5" :-)
RichL wrote:
>
> He's left-handed; he's got the box upside-down.
Thanks Rich. They're all communicative conventions. It's pretty amusing
to me the way nutters go rabid in anonymousville. F 'em. It's
entertaining to rip them a new turd cutter then toss the remains into a
kill file. :-) mvm
RichL wrote:
>
> He's left-handed; he's got the box upside-down.
Thanks Rich. They're all communicative conventions. It's pretty amusing
to me the way nutters go rabid in anonymousville. F 'em. It's
entertaining to rip them a new turd cutter then toss the remains into a
kill file. :-) mvm
Re: The "Big 5" :-)
On May 6, 2:59 pm, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
cks,net > wrote:
> RichL wrote:
>
> > He's left-handed; he's got the box upside-down.
>
> Thanks Rich. They're all communicative conventions.
"communicative conventions" LOL
Are "communicative conventions" what you use when you're trying to
bullshit people into believing you know something when you really
don't have a clue?
>It's pretty amusing
To you *only* -
> to me the way nutters go rabid in anonymousville. F 'em. It's
> entertaining
Again - to you *only* -
> to rip them a new turd cutter then toss the remains into a
> kill file. :-) mvm
Yeah! You go gurl! Rip those turd cutters!!!!
LOL
On May 6, 2:59 pm, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
cks,net > wrote:
> RichL wrote:
>
> > He's left-handed; he's got the box upside-down.
>
> Thanks Rich. They're all communicative conventions.
"communicative conventions" LOL
Are "communicative conventions" what you use when you're trying to
bullshit people into believing you know something when you really
don't have a clue?
>It's pretty amusing
To you *only* -
> to me the way nutters go rabid in anonymousville. F 'em. It's
> entertaining
Again - to you *only* -
> to rip them a new turd cutter then toss the remains into a
> kill file. :-) mvm
Yeah! You go gurl! Rip those turd cutters!!!!
LOL
Re: Lo0nbat Theory 101
Kaz Kylheku wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my_pa-
> cks,net > wrote:
> > We'll Use the key of Am (G Major) because SO much seems to be played there.
>
> Okay, I will bite. Once!
>
> A minor is not G major, you doofus. A minor corresponds to C major. G
> major corresponds to E minor.
>
> > Know this though- you've got to practice in every key. Focus
> > on just one to get going though, that's normal, because everything at
> > once can easily overwhelm.
> >
> > |-5-|---|---|-8-|---|---|---|
> > |-5-|*6-|-7-|---|---|---|---|
> > |-5-|---|-7-|---|---|---|---|
> > |-5-|---|-7-|---|---|---|---|
> > |-5-|---|---|-8-|---|---|---|
> > |-5-|---|---|-8-|---|---|---|
> > Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
>
> That E, incidentally, is needed because it is the fifth above the A.
> Or perhaps you don't think that the minor pentatonic has a fifth?
>
> The blues scale, if there is such a thing, is a combination of three
> ingredients: a superimposed minor and major pentatonic scale, plus the
> tritone.
>
> The Box 1 A minor pentatonic (with tritones added) looks like this:
>
> V
> |-R-|---|---|-*-|
> |-*-|---|---|-*-|
> |-*-|---|-*-|-T-|
> |-*-|---|-R-|---|
> |-*-|-T-|-*-|---|
> |-R-|---|---|-*-|
>
> Roots (A) shown as R, tritone (Eb) shown as T.
>
> Also, your numbers are redundant because they just indicate the fret
> position. This is a wasteful notation. A single symbol, like the roman
> numeral V, can establish the box's position on the fretboard.
>
> > http :// tinyurl,com /*****
>
> Spam URL.
Hey, don't argue with Narc.
If there's anything wrong with what he posted, I
can fairly well guarantee you it's not his fault.
You'll have to figure out who he stole it from and
jump in *their* shit; if you've ever heard Narc "play"
the guitar (over a track he stole from somewhere)
you'd realize that this asshole can't tell a B-flat
from a fucking ashtray.
Lord Valve
Founder, HARM (Heavily Armed Rightwing Maniacs)
Kaz Kylheku wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my_pa-
> cks,net > wrote:
> > We'll Use the key of Am (G Major) because SO much seems to be played there.
>
> Okay, I will bite. Once!
>
> A minor is not G major, you doofus. A minor corresponds to C major. G
> major corresponds to E minor.
>
> > Know this though- you've got to practice in every key. Focus
> > on just one to get going though, that's normal, because everything at
> > once can easily overwhelm.
> >
> > |-5-|---|---|-8-|---|---|---|
> > |-5-|*6-|-7-|---|---|---|---|
> > |-5-|---|-7-|---|---|---|---|
> > |-5-|---|-7-|---|---|---|---|
> > |-5-|---|---|-8-|---|---|---|
> > |-5-|---|---|-8-|---|---|---|
> > Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
>
> That E, incidentally, is needed because it is the fifth above the A.
> Or perhaps you don't think that the minor pentatonic has a fifth?
>
> The blues scale, if there is such a thing, is a combination of three
> ingredients: a superimposed minor and major pentatonic scale, plus the
> tritone.
>
> The Box 1 A minor pentatonic (with tritones added) looks like this:
>
> V
> |-R-|---|---|-*-|
> |-*-|---|---|-*-|
> |-*-|---|-*-|-T-|
> |-*-|---|-R-|---|
> |-*-|-T-|-*-|---|
> |-R-|---|---|-*-|
>
> Roots (A) shown as R, tritone (Eb) shown as T.
>
> Also, your numbers are redundant because they just indicate the fret
> position. This is a wasteful notation. A single symbol, like the roman
> numeral V, can establish the box's position on the fretboard.
>
> > http :// tinyurl,com /*****
>
> Spam URL.
Hey, don't argue with Narc.
If there's anything wrong with what he posted, I
can fairly well guarantee you it's not his fault.
You'll have to figure out who he stole it from and
jump in *their* shit; if you've ever heard Narc "play"
the guitar (over a track he stole from somewhere)
you'd realize that this asshole can't tell a B-flat
from a fucking ashtray.
Lord Valve
Founder, HARM (Heavily Armed Rightwing Maniacs)
Re: The "Big 5" :-)
I caught a bitch! :-) Gas. Fire. Gone.
Kaz Kylheku wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
> cks,net > wrote:
>> We'll Use the key of Am (G Major) because SO much seems to be played there..
>
> Okay, I will bite. Once!
>
> A minor is not G major, you doofus. A minor corresponds to C major. G
> major corresponds to E minor.
>
>> Know this though- you've got to practice in every key. Focus
>> on just one to get going though, that's normal, because everything at
>> once can easily overwhelm.
>>
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|*6-|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
>
> That E, incidentally, is needed because it is the fifth above the A.
> Or perhaps you don't think that the minor pentatonic has a fifth?
>
> The blues scale, if there is such a thing, is a combination of three
> ingredients: a superimposed minor and major pentatonic scale, plus the
> tritone.
>
> The Box 1 A minor pentatonic (with tritones added) looks like this:
>
> V
> |-R-|---|---|-*-|
> |-*-|---|---|-*-|
> |-*-|---|-*-|-T-|
> |-*-|---|-R-|---|
> |-*-|-T-|-*-|---|
> |-R-|---|---|-*-|
>
> Roots (A) shown as R, tritone (Eb) shown as T.
>
> Also, your numbers are redundant because they just indicate the fret
> position. This is a wasteful notation. A single symbol, like the roman
> numeral V, can establish the box's position on the fretboard.
>
>> http :// tinyurl,com /*****
>
> Spam URL.
>
I caught a bitch! :-) Gas. Fire. Gone.
Kaz Kylheku wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
> cks,net > wrote:
>> We'll Use the key of Am (G Major) because SO much seems to be played there..
>
> Okay, I will bite. Once!
>
> A minor is not G major, you doofus. A minor corresponds to C major. G
> major corresponds to E minor.
>
>> Know this though- you've got to practice in every key. Focus
>> on just one to get going though, that's normal, because everything at
>> once can easily overwhelm.
>>
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|*6-|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
>
> That E, incidentally, is needed because it is the fifth above the A.
> Or perhaps you don't think that the minor pentatonic has a fifth?
>
> The blues scale, if there is such a thing, is a combination of three
> ingredients: a superimposed minor and major pentatonic scale, plus the
> tritone.
>
> The Box 1 A minor pentatonic (with tritones added) looks like this:
>
> V
> |-R-|---|---|-*-|
> |-*-|---|---|-*-|
> |-*-|---|-*-|-T-|
> |-*-|---|-R-|---|
> |-*-|-T-|-*-|---|
> |-R-|---|---|-*-|
>
> Roots (A) shown as R, tritone (Eb) shown as T.
>
> Also, your numbers are redundant because they just indicate the fret
> position. This is a wasteful notation. A single symbol, like the roman
> numeral V, can establish the box's position on the fretboard.
>
>> http :// tinyurl,com /*****
>
> Spam URL.
>
Re: The "Big 5" :-)
The Blues Box (A minor Penta) 1 as shown, overlaps / fits w/in the A
Dorian Modal pattern. If you (tradmill) go back toward the nut to Box 5,
you're squarely w/in in the Gb Locrian "Form", which itself,
'treadmills' forward into the G Major or Ionian mode. Then, comes
A Dorian, B Phrygian, C Lydian, D Mixolydian, E Aolian*, Gb Locrian
THE RELATIVE MINOR you're twitching about, -bitch :-) mvm
Kaz Kylheku wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
> cks,net > wrote:
>> We'll Use the key of Am (G Major) because SO much seems to be played there..
>
> Okay, I will bite. Once!
>
> A minor is not G major, you doofus. A minor corresponds to C major. G
> major corresponds to E minor.
>
>> Know this though- you've got to practice in every key. Focus
>> on just one to get going though, that's normal, because everything at
>> once can easily overwhelm.
>>
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|*6-|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
>
> That E, incidentally, is needed because it is the fifth above the A.
> Or perhaps you don't think that the minor pentatonic has a fifth?
>
> The blues scale, if there is such a thing, is a combination of three
> ingredients: a superimposed minor and major pentatonic scale, plus the
> tritone.
>
> The Box 1 A minor pentatonic (with tritones added) looks like this:
>
> V
> |-R-|---|---|-*-|
> |-*-|---|---|-*-|
> |-*-|---|-*-|-T-|
> |-*-|---|-R-|---|
> |-*-|-T-|-*-|---|
> |-R-|---|---|-*-|
>
> Roots (A) shown as R, tritone (Eb) shown as T.
>
> Also, your numbers are redundant because they just indicate the fret
> position. This is a wasteful notation. A single symbol, like the roman
> numeral V, can establish the box's position on the fretboard.
>
>> http :// tinyurl,com /*****
>
> Spam URL.
>
The Blues Box (A minor Penta) 1 as shown, overlaps / fits w/in the A
Dorian Modal pattern. If you (tradmill) go back toward the nut to Box 5,
you're squarely w/in in the Gb Locrian "Form", which itself,
'treadmills' forward into the G Major or Ionian mode. Then, comes
A Dorian, B Phrygian, C Lydian, D Mixolydian, E Aolian*, Gb Locrian
THE RELATIVE MINOR you're twitching about, -bitch :-) mvm
Kaz Kylheku wrote:
> On May 6, 8:35 am, Gamma Ray <"fixed-441x82x"@.9spamenzee/my pa-
> cks,net > wrote:
>> We'll Use the key of Am (G Major) because SO much seems to be played there..
>
> Okay, I will bite. Once!
>
> A minor is not G major, you doofus. A minor corresponds to C major. G
> major corresponds to E minor.
>
>> Know this though- you've got to practice in every key. Focus
>> on just one to get going though, that's normal, because everything at
>> once can easily overwhelm.
>>
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|*6-|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|-7-|---|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> |-5-|---|---|-8-|---|---|---|
>> Blues Box 1
>
> You spamming twit, this is neither A minor pentatonic, nor E minor
> pentatonic (doesn't even have the E note). You are not consistently
> using the same minor pentatonic scale across both octaves.
>
> That E, incidentally, is needed because it is the fifth above the A.
> Or perhaps you don't think that the minor pentatonic has a fifth?
>
> The blues scale, if there is such a thing, is a combination of three
> ingredients: a superimposed minor and major pentatonic scale, plus the
> tritone.
>
> The Box 1 A minor pentatonic (with tritones added) looks like this:
>
> V
> |-R-|---|---|-*-|
> |-*-|---|---|-*-|
> |-*-|---|-*-|-T-|
> |-*-|---|-R-|---|
> |-*-|-T-|-*-|---|
> |-R-|---|---|-*-|
>
> Roots (A) shown as R, tritone (Eb) shown as T.
>
> Also, your numbers are redundant because they just indicate the fret
> position. This is a wasteful notation. A single symbol, like the roman
> numeral V, can establish the box's position on the fretboard.
>
>> http :// tinyurl,com /*****
>
> Spam URL.
>
Next: Drum tracks, from a laptop, through a guitar amp?
Previous: Can this thing be used as a guitar amp?
