Re: I hate log postsLump:
> > Orchestra players are strongly and specifically
> > directed NOT to tap their feet.
Tim C.:
> They've got to follow the conductor, 'cause they know best. Like the
> one my gf told me about a while ago (she sings in an opera choir in
> Austria) during rehearsals who was conducting a 7/4 time piece. "no,
> no" he scolded the choir, "it's one, two, three, four, five, six,
> sev-ven".
That guy's inability to count 7/4 notwithstanding,
actually, orchestra players have to follow their
own sense of internal rhythm. From soloist to
thousand voice choir, each muso has to have
the internal rhythm happening first before they
try and match the rest of the group.
Conductors, particularly from the Vienna school
of conducting, are deliberately in front of or
behind the beat. They are not "tapping their foot"
to REPLACE the internal rhythm of each player.
They are "tapping their foot" along with everyone
else in the ensemble.
IF the players were to hang on every ictus of the
conductor's baton, they would tend to lag. It's the
same phenomenom when small combo players watch each
other too much. Each tiny timing error is compounded
by the "watcher" trying to match the error, then the
"watched" trys to compensate and it's a downward spiral.
The players have to "feel" and "anticipate" where the
beats fall. They shouldn't be watching the baton to
know where every beat happens.
Lumpy
In Your Ears for 40 Years
www .LumpyMusic,com