Headstock-mounted tremolo? (was: Wolf notes)On Apr 27, 3:23=EF=BF=BDpm, "Tony Done" <tonyd...@bigpond . com > wrote:
> "Muso" <MikeMandavi...@aol . com > wrote in message
>
> news:12c8773c-3f18-4725-baec-d5093837ea14@m73g2000hsh.googlegroups . com ...
>
> > As I mentioned in another post, yesterday I took the twelve-gauge
> > strings off of my steel-string acoustic guitar, and then I put on some
> > eight-gauge strings. =EF=BF=BDEverything went just fine, except that I e=
nded
> > up with a wolf note on the number-five string, when played unfretted.
> > Since I converted my guitar into a five-string model awhile back, I
> > then did an internet search, and I learned that the number-six string
> > in an eight-gauge set is about the same size as the number-five string
> > in an eleven-gauge set, so I used the number-six string in place of
> > the number-five string, and the wolf note disappeared.
>
> > I would be curious to know if anyone here has ever had a problem with
> > a wolf note on their guitar. =EF=BF=BDYou know, a note that just won't s=
ound
> > right.
>
> Those with a good ear and a lot of experience claim they can detect wolf
> notes on most acoustic guitars, that correspond to the main air and body
> resonances. My repairer tells me my Bourgeois has one at the low F#, but I=
> can't hear it. I tried a cedar-topped Seagull S6 a couple of years ago tha=
t
> had a bad wolf tone on the low G. The worst I have heard was an expensive
> Spanish hand-built classical guitar that had one note totally dead, it jus=
t
> when "flub" when you struck it. That was over 40 years ago, and I haven't
> heard anything like it since.
>
> Tony D
The original number-five string with my eight-gauge set was thirty-
gauge, and the number-six string that I replaced it with was thirty-
eight gauge. Yesterday, I bought a thirty-two gauge string, which was
the next available size up from the original size, and it works just
fine.
At this point, I can get a tremolo effect on more than one string at a
time by pushing on the strings between the nut and the tuners. Of
course, I have to raise the pitches before I can lower them, though.
For this reason, I am thinking about designing some sort of headstock-
mounted tremolo system for acoustic guitars.