Re: I'm having unnatural urges....about a 5 string.
"Benj" <bjacoby@iwaynet . net > wrote in message
news:7e1f32f2-efca-40a8-9881-d76e99103be3@x35g2000hsb.googlegroups . com ...
>
>
> John Bigboote wrote:
>>
>> Going from four to five is easy. Going from five to four is a bitch.
>> Once you get used to how easy it is to play further on up the neck, it
>> takes some adjustment to go back down near the nut. Playing songs in
>> Ebm is no longer a carpal tunnel accident waiting to happen.
>
> John is right on. Lets talk philosophy. Bass guitars are 4 strings not
> because God intended it that way, but because upright basses had 4
> strings. The reason for that was that the size of the usual upright
> meant that acoustically a B string would be too low to have any decent
> volume produced. Electrification with bass guitars eliminated that
> reason. But by then 99.9% of songs worked with 4 strings. And people
> got used to it. (Personally I never did! Back in the old days when I
> played 4 strings I always had this feeling in my gut that there had to
> be a better way than cutting off the range at E. My first 5er
> eliminated the feeling forever!)
>
> So what about going to a "real"* bass? Some 4 string guys really
> resist it. But note that even hard core like Boomie grudgingly was
> forced to come around at least a little bit. Making the transition in
> my book is easy. The neck doesn't feel all that fat and all you have
> to do is get your head around E being the second "highest" string!
> What that much buys you is a few notes below E. Terrific for horns or
> key songs (think Eb). Good for rock with Synth-bass lines (one reason
> 5s became popular). And you really don't need to learn much more.
>
> Some guys stop right here. They are the kind who like to play way up
> at the nut so as to include the maximum number of open string notes
> and get the best tone and sustain. It's OK, but with modern basses you
> don't really need to do that anymore. Where 5 string basses really
> shine is when you move up the neck! You get your head around the scale
> patterns up there and now you have total freedom to play in any key. I
> must confess it took me a time to get there, in fact, it was getting a
> 6 string bass that forced me into learning the mid neck scales and all
> that automatically just transferred back to 5s so nice. That was when
> I finally realized that a 5 was a "real" bass! *
>
> * All "real" basses have 5 or more strings!
>
> Today 5 great 5 string basses are out there for a song. Hey even
> upright symphony guys play 5 strings today! It all makes so much
> sense.
>
> I very much agree with the opinions here that OLP, Yamaha and Ibanez
> are all killer 5 string buys. I even own a 5 string Fender (though the
> B string while OK is a bit less than stellar). Cripes, even my Rondo
> music SX (ash body and shielding added) 5 string blows the doors off
> many basses at a price so low you can't believe it. And there are
> many others out there. Shop around.
>
> HOWEVER, as others have noted, the "floppiness" of the B string is a
> key issue when choosing and once you get the "up the neck" thing
> you'll realize that the "true test" of any 5er regardless of price
> will be the "floppiness" of the B string and the test you have to run
> where you compare the tone of the Open E string to the same E note
> played on the B string. They should never sound appreciably different
> either in tone or sustain. So go test basses. Find the one that feels
> good, has the tone you love, and passes the "up the neck" test, and go
> for it!
>
> After that your problem will be, as John says, not playing the 5 but
> trying to switch back to the 4!
>
> Reject those urges from your reptilian brain. Evolution has long since
> left it behind!
>
> Good luck and welcome to the world of "real" basses!
>
> Benj
>
Thanks Benj!
What about active electronics? Should I be looking for a bass with that
feature or does it not really matter?
What about Fender 5'ers? Are there any brands that I should stay away from?
-DA