Re: Bass Playing Skills> On some level I agree with you but on another level I don't. Is what
> Leo Kottke does really more difficult than what Victor Wooten does?
As always, I try to be at least a little controversial. What the heck. ;-)
It depends upon more than just playing technique, it depends upon the
role of the instrument in the music that's being performed. This ought
to get a few people really fired up: Leo Kottke performs entire songs
by himself, he plays the bass line, the melody and the harmony
simultaneously. Victor Wooten does not, plain and simple. Leo Kottke
conveys a complete performance of a song in his solo playing, Victor
Wooten more often than not performs solo with the sole intent of making
you say, "My God, that guy can play bass really, really fast." So,
they're doing two completely different things. You can't do on a bass
what Leo Kottke does on 12-string guitar, it's just impossible, the
instrument is not constructed that way. It takes a completely different
approach and a completely different set of manual-dexterity skills.
It's okay for bassists to admit that! For all I know, Leo Kottke
couldn't play a competent bass line on a bass guitar to save his soul.
But, I am willing to bet that if he did, it would be an integral part of
the performance of the complete song, not just be a wappity-bippity
sound-effects demo.
And, you can perform a complete song on a piano, too, but it's a hell of
a lot easier than on a guitar. All the notes on a piano are available
simultaneously, you're limited only by the number of fingers and their
reach. The notes on a guitar are not available simultaneously, and to
change the voicing of chords is often a complex, difficult exercise in
dexterity. You can't play the root and third simultaneously on one
string. On a piano, you just hit the keys. A piano doesn't require
precise timing between a plucking hand and a fretting hand. I think
this is all obvious, but another poster said he 'had wonder" about my
comment.
If you're honest with yourself, then you have to admit that the reason
we're so fascinated with Victor Wooten is because as we listen to him
play, we're thinking as bass players, "Holy shit, how does he do that?"
We're not thinking as pure music lovers, "Wow, what a beautiful song."
You can argue with that all you want, but there's an obvious reason
why bassists like Wooten, Pastorius, Clarke, etc., etc., never get broad
acceptance.
So, yeah, what Leo does is more difficult than what Vic does. But, as I
said, the average guitarist that thinks bass is just a guitar for
retarded players is not a very good guitarist. We've all heard them
before. Yammer, yammer. The hard part about playing bass is playing
the right notes, not how many of them you play. We're always searching
for the right note, at precisely the right spot, in just the right
groove, and it can be all whole notes, if that's what the song requires.
But it's hard to do, and it requires a completely different mind-set
than the one guitarists use. It's a Zen thing.