Re: Gripe, Gripe, GripeWow, I think this is some sort of record, because I actually agree with Jim
on this one.
The problem is NOT that the technology isn't up to snuff, it that
a) The interfaces are not terribly gigworthy. They are good for
installations, but not one nighters. I work with the Avion a lot. It's cool;
everyone gets to make and save their own monitor mix. But since we have to
break down/set up 2x a week, the cat 5 cable takes a serious beating. The
mixer boxes aren't all that sturdy either; I'd guess after a month of being
tossed into a truck 3-5 nights a week, they'd be toast.
b) The nature of "digital" itself: all the devices must be compatible, all
the drivers must be compatible, the processing power needs to be devoted to
the primary in/out at any given moment, there are a finite number of errors
before the thing crashes/freezes/ignores an input. And God forbid you forget
to save a scene, the drive crashes, or the power goes out. It's back to
square one.
OTOH, all you need to run an analog system is a few standardized 70 yr old
ham radio cables that match the gear you're using, and a wall outlet.
What's really needed are some standardized digital audio specs, as was one
with MIDI - standard connectors, # and content of channels, amount of
"autosave" memory and save time, sampling rate, processing power, etc.
(remember that there is a theoretical top limit for audio - the Nyquist
Theorem. We don't ALWAYS have to have the latest and greatest)
"Jim Carr" <newsgroups@azwebpages,com > wrote in message
news:jGVNj.167146$nr1.66065@newsfe13.phx...
> Brian Running wrote:
> >> Take a moment to think about what it would take for each musician to
> >> create his own monitor mix. Assume everything is already coming to
> >> this new box over coax or whatever. What does this box need?
> >
> > http :// www .fullcompass,com /product/244997.html
>
> Which is pretty much what I described, except the interface is weak. I'm
> sure I could figure it out in a couple of minutes, but it's not dirt
> simple by any means. If you want to crush the analog world, you'll need
> to do better.
>
> That price point is about what I would expect. We're talking about
> $1,200 for the module that takes the output from your analog mixer,
> converts it to digital, then sends it out over CAT-5. Each individual
> mixer runs about $600. Then you'll still need to shell out the money for
> your IEM.
>
> What do *you* think a system like they make should cost? Are you saying
> that the mixer itself should also be converting to digital thus
> combining two units into one?
>
> Personally, for what I've been doing for years, I'm okay having just
> vocals in the monitors and keeping the stage volume manageable. I don't
> feel like there's any great problem I need solved.
>
> --
> Write a wise saying and your name will live forever.
> - Anonymous