Re: Gripe, Gripe, GripeI used to think that until I moved down South. Churches dropping 50-200k in
tax free dollars on Enormo Dome quality PA and multi media without blinking
an eye - not just once, but as an ongoing investment. "Church
sales/installation" is probably the most profitable area for an MI salesguy
to be in down here. This is pretty much the norm rather than the exception,
and I know it's a similar situation in the Midwest, CO and CA.
Actually, one of the hottest tickets on that scene is digital boards. Not so
much digital inputs, but boards with the ability to program mixer scenes and
levels. All the tech has to do is set it once for the most common live
situations the use, then the "volunteer" soundguys can pull up the right mix
without touching anything (thank God).
"DGDevin" <dgdevin@invalid.invalid> wrote in message
news:j6adnVPwHNnrppvVnZ2dnUVZ_qygnZ2d@earthlink,com ...
> Brian Running wrote:
>
> > I can buy a full-blown, state of the art computer system with enough
> > digital horsepower to put mainframe supercomputers of twenty years ago
> > to shame, for under $500. The actual physical components of the
> > system I'm describing would cost maybe $150.
> >
> > And, there's no reason why, for about $50 apiece more, each player
> > couldn't have his own personal, 24-channel monitor mixer on stage
> > with him.
>
> I don't think you could get "state of the art" for under $500, wouldn't
the
> CPU alone would cost more than that?
>
> I assume the reason you can't get a digital onstage setup such as you
> describe for that kind of money is due to the economy of scale. The
> computer industry sells millions of desktops and laptops every year, the
> more they make the lower the cost per unit becomes especially since so
many
> of the components are interchangeable. But how many bands and clubs are
> there to buy a system such as you describe? It can't be millions, it
> probably isn't even in the hundreds of thousands. So somebody will have
to
> design and build these things with a potential market perhaps only in the
> tens of thousands (given competition), that's got to push up costs and
> require a higher price to make it profitable enough to be worth doing.
>
> That doesn't mean that some of the current stuff isn't overpriced in part
> because of a reliance on outmoded technology, but I have to think that if
> the potential profits were really significant we'd have seen more movement
> here already. It's one thing for cheeseball companies like L6 or Crate or
> whoever to market cheap digital guitar amps, there are millions of
potential
> customers for cheap amps and guitars, but for a full-on band PA/recording
> setup, especially one robust enough to do a year on the road without
> cratering? I have to wonder if the potential market is big enough to do
it
> at that sort of price.
>
>