Re: pedal recommendation for heavier rhythm sound?Jim wrote:
> Zach Davis wrote:
>
>> Jim wrote:
>>
>>> Zach Davis wrote:
>>>
>>>> So, the main songwriter for my band has in mind a heavier rhythm
>>>> sound than I get with my current rig.
>>>> I play a Les Paul into a reissue Twin Reverb, and I have a couple
>>>> Analogman modded Tubescreamers and an Analogman modded DS-1. A TS
>>>> set as a boost into the DS-1 gets a pretty heavy sound, and it
>>>> sounds great for leads, but our songwriter had more of a
>>>> Mesa-sounding, I guess tighter, heavier rhythm sound in mind.
>>>> Any suggestions of pedals that could help out? I'm going to have to
>>>> pass for now on the suggestions of getting a Mesa or similar amp to
>>>> A/B with the Twin.
>>>> Thanks in advance,
>>>> Zach
>>>
>>>
>>> I have a Line 6 Uber Metal, and it's about as heavy as I can imagine.
>>> It's one of those that is easy to make sound bad, but dialed in, you
>>> can find some good tones. It's not as intuitive as many, because it
>>> has a three stage switch from classic metal to insane bottom heavy to
>>> high gain/nu-metal. And it has a mids cut that you have to learn (it
>>> cuts as you turn it up, but turn it down and it boosts). You have to
>>> set the center frequency (I guess that makes it quasi-parametric).
>>> ...and it has two levels of noise gate built in. It's as heavy as a
>>> tank, I guess the metal crowd must be tough on their gear. I bought
>>> it thinking I might give it to a nephew as a gift, but it does a good
>>> job of turning my Mesa Mark III into the rectifier tone.
>>>
>>> Most music stores have a RI Twin Reverb on hand. Go in and audition
>>> the Uber Metal through it. It'll get those drivers moving!
>>>
>>> I also have a Boss Mega Distortion (I think it's MD-2) that sounds
>>> good into my Marshall. It's gives you separate gain and distortion
>>> knobs, a two stage distortion that is way noisy if you max both out.
>>> Again, with the right settings, it sounds quite good. It gives both
>>> a normal tone control and a bottom boost, for a heavier tone.
>>>
>>> The third option that I have is a Digitech DF7 Distortion Factory
>>> with 7 models in it. For some odd reason, the Metal Zone model in
>>> the Digitech sounds better than the original Boss pedal. On the
>>> heavier side, you also get a Rat model, a Metal Master and a Big Muff
>>> (which also sounds better than original because of the better tone
>>> controls -- again a quasi-parametric mids, bass and treble).
>>>
>>> Your mileage may vary, because you'll be running into a pretty clean
>>> amp without the bottom that I have to start with (can't say I've
>>> tried the heavier settings into my Super Reverb). They're all a bit
>>> different, and I like all three for different reasons. Try all
>>> three, and whatever else you see.
>>
>>
>> I have to say, I'm a little wary of the digital modeling distortions
>> (i.e. the Line6, and I presume the DF7 is also digital).
>
> Remember that they are just pedals, they are not trying to model tube
> amps. They are modeling SS pedals. Big difference, if you ask me.
>
That's a fair point, although I still have to say I trust analog more
for distortion as opposed to, say, delay. But I'll definitely take
those into consideration. The suggestions of the Tech 21 stuff also
sounded interesting.
Also, speaking of the DF7 and more specifically, the pedals it models,
would anyone recommend a Rat or Big Muff as things to try for a heavy
rhythm sound? My impression is that the Rat is closer to the DS-1 in
terms of distortion level. I haven't ever played through a Big Muff,
though, I know it's a fuzzier kind of sound... would that not interact
well with the Twin, or might it be something worth trying as well?
>> How would you compare the MD-2 to the MT-2?
>
> MD-2 is not for scooped tones. It's two stage, and will get a much
> "gainier" tone without the distortion of the MT-2. But you can also
> dial up the distortion on the MD-2, if you want that. The bottom boost
> might be mostly for guys with SS amps, but it could work well with your
> twin. Personally, I don't go for chest thumping bottom on guitar, I
> think it tends to muck things up. That's for the bass player and kick
> drum.
Thanks, I think that helps... I'm not really looking for a scooped mids
sound, just heavier and tighter all around, I guess.
--
Zach Davis
"With every mistake we must surely be learning
Still my guitar gently weeps."
-George Harrison, "While My Guitar Gently Weeps"
"You can't fight in here, this is the War Room!"
-President Merkin Muffley, Dr. Strangelove