Re: setting up ABX tests at homeOn Fri, 15 Feb 2008 15:43:08 -0800, bear wrote
(in article <fp582c01a2c@news1.newsguy,com >):
> Sonnova wrote:
>> On Mon, 11 Feb 2008 16:17:08 -0800, bear wrote
>> (in article <foqoi402tkd@news1.newsguy,com >):
>>
>>> Arny Krueger wrote:
>>>> "Greg Wormald" <greg.wormald@gmail,com > wrote in message
>>>> news:folrst02p34@news1.newsguy,com
>>>>
>>>>> The very set-up of much ABX testing (which is most often
>>>>> short segments of music quickly switched), cannot test
>>>>> for what most music lovers are seeking--long term
>>>>> enjoyment of music listening.
>>>> This is a false claim that I've heard on and off for about 30 years, now.
>>> Well Arny, where is the correlation between ABX tests and subjective
>>>
>
> <snip>
>
>> onnects are so bad that they cause non-trivial frequency response
>>>> variations, they are by definition, defective.
>>> This would appear to be a true statement.
>>> But it is not.
>>> The reason that it is not true is that the "ABX" tests that have been
>>> touted
>>> as
>>> providing this information are fraught with unknown variables.
>>> Let me list a few for the readers:
>>> - frequency response of the speakers
>>
>> if you are using the SAME speakers for each component under test, the
>> frequency response of the speakers is a constant, NOT a variable and
>> therefore is irrelevant. If you are using different speakers for the ABX
>> test, then you're doing it wrong by introducing more than one variable into
>> the test.
>
> You are simply not comprehending the significance of masking due to
> distortion(s) nor the effect of cascaded distortions.
>
> Put it another way, IF the distortions present are of a particular type or
> class
> then you can put anything you like into the signal chain of lower or nil
> distortion and most likely not be able to identify any change. Since you have
> no
> way to determine the significance or type/class of distortions in your
> system,
> you don't know anything about the results of an ABX test other than the
> results
> being SPECIFIC to the test you performed.
>
>>
>>> - distortion vs. power vs. frequency for the speakers
>>
>> See above.
>>
>>> - polar response of the speakers vs. frequency
>>
>> Again irrelevant because the cables/interconnects are feeding the same set
>> of
>> speakers.
>>
>>> - reverberation time vs. frequency of the room
>>
>> Same room for both components under test, the room becomes irrelevant.
>
> That is simply wrong and incorrect IF you wish to generalize the results
> beyond
> the specific test.
>
> Let's do a simple mental excercise on this, ok?
> Put the speakers into a relatively small room made of ceramic tile, do the
> test
> there. Are those results meaningful? Yes? No?
>
> I assume the answer will be *no*.
> The point is that the room does matter - the question is to WHAT DEGREE. It
> is
> not irrelevant it is a non-zero factor. If it is not controlled and known,
> then
> it is a variable whose effect is UNKNOWN. Therefore the validity of the tests
> is
> compromised and can be called into question.
>
> Obviously, let's not push the thing into absurdity - at some point things can
> not be known - but the present crop of ABX tests that I know of don't take
> into
> account relatively simple, basic things that CAN be known.
>
>>
>>> etc. etc. etc....
>>>
>>> EVEN WITH this information, I have yet to read a published ABX test that
>>> would
>>> permit someone to precisely duplicate the test. Not enough information is
>>> provided.
>>
>> Not needed. All you need is a system and a way to switch between two
>> different components carrying the same signal at matched levels. This can
>> be
>> done by a ABX switch box or a third party who either switches or not on
>> command from the listener(s).
>
> If you wish to make this assertion, so be it.
> It is not valid science, nor does it yield particularly useful results except
> by
> serendipitous result.
>
>>> Show me *one* that has the requisite information and controls.
>>
>> It's really very simple. after matching levels and using the same source
>> material, merely switch between the two units under test and determine if
>> you
>> can hear a difference. Listen as long as you like to either or both
>> contenders and decide whether or not you can tell ANY difference between
>> them. It's that simple.
>
> NOT that simple. Sorry. Wrong.
> For all the reasons stated.
> That test is ONLY valid in the system under test. Period.
>
>>> Dr. Earl Geddes' research - and he is a hardcore
>>> academician/scientist/researcher - has shown that absolute values of
>>> distortion do not translate at all to audibility of distortion.
>>
>> But that's a different discussion and has nothing whatsoever to do with
>> blind
>> or ABX testing.
>
> WRONG. It has *everything* to do with ABX and *all other listening tests*.
> Read it yourself.
> Report back.
> No reason to be ignorant of this new research!!
>
>>
>>> So, the sum total of all this is that ABX is a tool that may or may not
>>> yield
>>
>>> information that is useful. Period.
>>
>> Well, ABX/Blind testing can really only tell two things: Is there a
>> difference in the sound between two components (or interconnects or speaker
>> cables)? And if there are differences, what are they? It cannot tell which
>> is better (assuming that there are differences) as that is a totally
>> subjective call.
>
> That is not being discussed.
>
>>
>> Where this type of testing REALLY falls down is where the differences are
>> subtle (which they often are) and the listener doesn't have the trained
>> listening acumen to pick-up on those differences. Since there is no way to
>> eliminate or even pre-screen for this particular variable, the results are
>> often going to show that there is no difference, when in reality, the
>> listener(s) just missed them or really cannot hear them. The results never
>> work the other way where the unsophisticated listener reliably and
>> statistically hears differences that aren't there. I'm sure that you can
>> see
>> why that's so.
>
> Unfortunately, that is NOT what research has shown at all.
>
> You keep insisting on "differences that are not there."
> That is an assertion that may or may not correlate with tests that may or may
> not be effective at testing what they purport to be testing!!
>
> What you want to say is that *you believe* that the majority of differences
> reported by non-ABX test listeners are not real differences. That is your
> belief, which you are entitled to. There are no tests that adequately support
> such a point of view. Again, I urge you to actually read at least the
> abstract
> of Dr. Geddes work to understand WHY I keep saying this sort of thing!! :_)
>
> _-_-bear
I realize that this is usenet and people write stream of consciousness and
for brevity, and often people don't get the points across that they are
trying to convey due to poor wording, omitting certain facts by accident or,
occasionally out of purposeful obfuscation. Here, to paraphrase an old Amos
'n Andy radio routine "either I'm not hearing what you are saying, or you
aren't saying what I'm hearing." either way we don't seem to be
communicating. In any substitution test, you are listening for the
differences between two different components of the same type, whether that
be two preamps, two power amps. two speaker systems or two interconnects. If
the listeners cannot detect any difference between the sound of the two units
under test in a statistically meaningful manner after X number of tries, then
there are NO differences. The rest of the system OTHER than the units under
test, MUST be identical for both units. You can change out only one variable
at a time. If the rest of the ancillary equipment is the same for both, then
any differences perceived must be differences between the two components in
question, because they are the only two variables. All else being the same,
these red herrings (if I understand what you are saying correctly) about room
acoustics, speaker distortion, etc. are irrelevant because (unless you the
speakers are the devices under test) they are the SAME for both test samples.
If I switch between two preamps, for instance, and hear a difference, then it
is clearly the preamps which are different, because nothing else has changed
between the listening of one preamp or the other and the preamp cannot change
the characteristics of either the room or the speakers.