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Post Subject:

My favorite analog audio storage = B&W variable-density optical track of old films

Reply from: Green Xenon [Radium]
Date: 10 Apr 2008, 03:27
My favorite analog audio storage = B&W variable-density optical track of old films

Hi:

My favorite analog audio storage medium consist of the optical
equivalent of magnetic tape. It is similar to the optical tracks of old
analog B&W films -- except without the video or any images. My optical
tape records audio optically on a tape using variable-density encoding
[not variable-area] and is monaural. As with any photography, the tape
must not be exposed to light before recording or development and must
not be exposed to extraneous light [light other than the optical audio
signal] during or before recording/development. Such exposure will
corrupt the film. After recording. The film is developed using
photographic chemicals. This tape is like a reel-to-reel [i.e. not a
cassette] film using optics and chemistry instead of magnetism.


Regards,

Radium

Reply from: Richard Crowley
Date: 10 Apr 2008, 04:10
Re: My favorite analog audio storage = B&W variable-density optical track of old films

"Green Xenon [Radium]" wrote ...
> My favorite analog audio storage medium consist of the optical equivalent
> of magnetic tape.....

Which would be remarkable if ANYONE reading this throught
you even knew what a variable density optical track was, or
that you had ever seen one. You have clearly never HEARD
one or even you wouldn't make such a silly statment.

How about sending your random thoughts to some new
newsgroups. Expand your horizons. You're old-hat here.



Reply from: Green Xenon [Radium]
Date: 10 Apr 2008, 04:34
Re: My favorite analog audio storage = B&W variable-density optical track of old films

Richard Crowley wrote:
> "Green Xenon [Radium]" wrote ...
>> My favorite analog audio storage medium consist of the optical equivalent
>> of magnetic tape.....
>


> Which would be remarkable if ANYONE reading this throught
> you even knew what a variable density optical track was, or
> that you had ever seen one. You have clearly never HEARD
> one or even you wouldn't make such a silly statment.
>


What makes you think I've never heard music from a variable density
optical track?

Reply from: Richard Crowley
Date: 10 Apr 2008, 04:40
Re: My favorite analog audio storage = B&W variable-density optical track of old films

"Green Xenon [Radium]" wrote ...
> What makes you think I've never heard music from a variable density
> optical track?

Your statement above is what makes me think you don't know
what you're talking about.

OTOH, When was the last time you had your ears tested?



Reply from: Don Bowey
Date: 10 Apr 2008, 06:14
Re: My favorite analog audio storage = B&W variable-density optical track of old films

On 4/9/08 7:10 PM, in article 665b99F2i6v9nU1@mid.individual . net , "Richard
Crowley" <rcrowley@xp7rt . net > wrote:

> "Green Xenon [Radium]" wrote ...
>> My favorite analog audio storage medium consist of the optical equivalent
>> of magnetic tape.....
>
> Which would be remarkable if ANYONE reading this throught
> you even knew what a variable density optical track was, or
> that you had ever seen one. You have clearly never HEARD
> one or even you wouldn't make such a silly statment.

Actually, what he describes is similar, if not identical, to my very old
16mm sound camera and projector.

>
> How about sending your random thoughts to some new
> newsgroups. Expand your horizons. You're old-hat here.

Old aluminum hat.

>
>


Reply from: stratus46@yahoo . com
Date: 10 Apr 2008, 04:23
Re: My favorite analog audio storage = B&W variable-density optical track of old films

On Apr 9, 5:27 pm, "Green Xenon [Radium]" <gluceg...@excite . com >
wrote:
> Hi:
>
> My favorite analog audio storage medium consist of the optical
> equivalent of magnetic tape. It is similar to the optical tracks of
old
> analog B&W films -- except without the video or any images. My
optical
> tape records audio optically on a tape using variable-density
encoding
> [not variable-area] and is monaural. As with any photography, the
tape
> must not be exposed to light before recording or development and
must
> not be exposed to extraneous light [light other than the optical
audio
> signal] during or before recording/development. Such exposure will
> corrupt the film. After recording. The film is developed using
> photographic chemicals. This tape is like a reel-to-reel [i.e. not
a
> cassette] film using optics and chemistry instead of magnetism.
>
> Regards,
>
> Radium

The best that could be done in the day but with all things, there was
a GOOD reason to get away from that method. Any density variations
from chemical processes translate into amplitude variations. This is a
BAD thing and guess what, they sound bad too. Also there is stereo
optical variable area because I used to have to align them on the Rank
MkIII (actually Turbo 1 and Turbo 2) flying spot scanners (telecine)

GG

Reply from: Green Xenon [Radium]
Date: 10 Apr 2008, 04:35
Re: My favorite analog audio storage = B&W variable-density optical track of old films

stratus46@yahoo . com wrote:
> On Apr 9, 5:27 pm, "Green Xenon [Radium]" <gluceg...@excite . com >
> wrote:
> > Hi:
> >
> > My favorite analog audio storage medium consist of the optical
> > equivalent of magnetic tape. It is similar to the optical tracks of
> old
> > analog B&W films -- except without the video or any images. My
> optical
> > tape records audio optically on a tape using variable-density
> encoding
> > [not variable-area] and is monaural. As with any photography, the
> tape
> > must not be exposed to light before recording or development and
> must
> > not be exposed to extraneous light [light other than the optical
> audio
> > signal] during or before recording/development. Such exposure will
> > corrupt the film. After recording. The film is developed using
> > photographic chemicals. This tape is like a reel-to-reel [i.e. not
> a
> > cassette] film using optics and chemistry instead of magnetism.
> >
> > Regards,
> >
> > Radium
>


> The best that could be done in the day but with all things, there was
> a GOOD reason to get away from that method. Any density variations
> from chemical processes translate into amplitude variations. This is a
> BAD thing and guess what, they sound bad too. Also there is stereo
> optical variable area because I used to have to align them on the Rank
> MkIII (actually Turbo 1 and Turbo 2) flying spot scanners (telecine)


I prefer mono over stereo. Also, variable-density sounds better than
variable-area. Lee De Forest's technique.

Reply from: stratus46@yahoo . com
Date: 10 Apr 2008, 04:40
Re: My favorite analog audio storage = B&W variable-density optical track of old films

On Apr 9, 6:35 pm, "Green Xenon [Radium]" <gluceg...@excite . com >
wrote:
> stratu...@yahoo . com wrote:
<snip>
> > The best that could be done in the day but with all things, there
was
> > a GOOD reason to get away from that method. Any density
variations
> > from chemical processes translate into amplitude variations. This
is a
> > BAD thing and guess what, they sound bad too. Also there is
stereo
> > optical variable area because I used to have to align them on the
Rank
> > MkIII (actually Turbo 1 and Turbo 2) flying spot scanners
(telecine)
>
> I prefer mono over stereo. Also, variable-density sounds better
than
> variable-area. Lee De Forest's technique.

Of course you do. Everyone is entitled to their opinions even when
they're wrong.

I will now stop feeding the troll.

GG

Reply from: John Larkin
Date: 10 Apr 2008, 04:33
Re: My favorite analog audio storage = B&W variable-density optical track of old films

On Wed, 09 Apr 2008 18:27:04 -0700, "Green Xenon [Radium]"
<glucegen1@excite . com > wrote:

>Hi:
>
>My favorite analog audio storage medium consist of the optical
>equivalent of magnetic tape. It is similar to the optical tracks of old
>analog B&W films -- except without the video or any images. My optical
>tape records audio optically on a tape using variable-density encoding
>[not variable-area] and is monaural.


Film is nonlinear as hell, which translates to distortion. That's one
reason that variable-area is better. They figured that out a long,
long time ago.

John



Reply from: Green Xenon [Radium]
Date: 10 Apr 2008, 04:38
Re: My favorite analog audio storage = B&W variable-density optical track of old films

John Larkin wrote:
> On Wed, 09 Apr 2008 18:27:04 -0700, "Green Xenon [Radium]"
> <glucegen1@excite . com > wrote:
>
>> Hi:
>>
>> My favorite analog audio storage medium consist of the optical
>> equivalent of magnetic tape. It is similar to the optical tracks of old
>> analog B&W films -- except without the video or any images. My optical
>> tape records audio optically on a tape using variable-density encoding
>> [not variable-area] and is monaural.
>


>
> Film is nonlinear as hell, which translates to distortion. That's one
> reason that variable-area is better. They figured that out a long,
> long time ago.


I've listened to both variable-density and variable-area. I prefer the
former over the latter.


Reply from: John Larkin
Date: 10 Apr 2008, 05:28
Re: My favorite analog audio storage = B&W variable-density optical track of old films

On Wed, 09 Apr 2008 19:38:00 -0700, "Green Xenon [Radium]"
<glucegen1@excite . com > wrote:

>John Larkin wrote:
>> On Wed, 09 Apr 2008 18:27:04 -0700, "Green Xenon [Radium]"
>> <glucegen1@excite . com > wrote:
>>
>>> Hi:
>>>
>>> My favorite analog audio storage medium consist of the optical
>>> equivalent of magnetic tape. It is similar to the optical tracks of old
>>> analog B&W films -- except without the video or any images. My optical
>>> tape records audio optically on a tape using variable-density encoding
>>> [not variable-area] and is monaural.
>>
>
>
>>
>> Film is nonlinear as hell, which translates to distortion. That's one
>> reason that variable-area is better. They figured that out a long,
>> long time ago.
>
>
>I've listened to both variable-density and variable-area. I prefer the
>former over the latter.

Well, some people like distortion. But there are lots easier ways to
make distortion.

What sort of light modulator do you use for recording?

John




Reply from: Green Xenon [Radium]
Date: 10 Apr 2008, 06:25
Re: My favorite analog audio storage = B&W variable-density optical track of old films

John Larkin wrote:


> What sort of light modulator do you use for recording?


I don't have this analog audio storage device I described. It is
something I would like to have but I don't. While it is possible to make
this device, I am probably the only individual in the world who wants
it. Nobody else cares for something like this. This is mainly because I
am the only one who enjoys the artifacts associated with the
variable-density audio of old B&W movies. Most everyone else prefers VA
over VD. Not to mention, most also prefer magnetic over optical.

Reply from: Green Xenon [Radium]
Date: 11 Apr 2008, 09:39
Re: My favorite analog audio storage = B&W variable-density optical track of old films

John Larkin wrote:
> On Wed, 09 Apr 2008 18:27:04 -0700, "Green Xenon [Radium]"
> <glucegen1@excite . com > wrote:
>
>> Hi:
>>
>> My favorite analog audio storage medium consist of the optical
>> equivalent of magnetic tape. It is similar to the optical tracks of old
>> analog B&W films -- except without the video or any images. My optical
>> tape records audio optically on a tape using variable-density encoding
>> [not variable-area] and is monaural.
>
>
> Film is nonlinear as hell, which translates to distortion. That's one
> reason that variable-area is better. They figured that out a long,
> long time ago.
>
> John
>
>


In variable-density, what determines the quality of the audio?

Reply from: Michael R. Kesti
Date: 10 Apr 2008, 06:08
Re: My favorite analog audio storage = B&W variable-density optical trackof old films

"Green Xenon [Radium]" wrote:

>Hi:
>
>My favorite analog audio storage medium consist of the optical
>equivalent of magnetic tape. It is similar to the optical tracks of old
>analog B&W films -- except without the video or any images. My optical
>tape records audio optically on a tape using variable-density encoding
>[not variable-area] and is monaural. As with any photography, the tape
>must not be exposed to light before recording or development and must
>not be exposed to extraneous light [light other than the optical audio
>signal] during or before recording/development. Such exposure will
>corrupt the film. After recording. The film is developed using
>photographic chemicals. This tape is like a reel-to-reel [i.e. not a
>cassette] film using optics and chemistry instead of magnetism.

Your statements concerning what you favor and prefer in the way of audio
media are on-topic, but I am far more interested in details concerning
the gear you use, the performance levels you experience (bandwidth,
signal to noice ratio, distortion level, wow-and-flutter, etc.), and
the techniques you use. And there doesn't seem to be much point in
stating what you prefer without also telling why you prefer it.

--
========================================================================
Michael Kesti | "And like, one and one don't make
| two, one and one make one."
mrkesti at hotmail dot com | - The Who, Bargain

Reply from: Richard Crowley
Date: 10 Apr 2008, 06:13
Re: My favorite analog audio storage = B&W variable-density optical trackof old films

"Michael R. Kesti" wrote...
> Your statements concerning what you favor and prefer in the way of
> audio
> media are on-topic, but I am far more interested in details concerning
> the gear you use, the performance levels you experience (bandwidth,
> signal to noice ratio, distortion level, wow-and-flutter, etc.), and
> the techniques you use. And there doesn't seem to be much point in
> stating what you prefer without also telling why you prefer it.

This should be entertaining. (Not.)
Good luck. I'm not interested in even more fiction from the
radioactive nut. Bye.



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