Re: HelpNicholas O. Lindan wrote:
> <jhsnapp@earthlink . net > wrote
>
>> graflex 4x5 camera ... Ilford 100 ... tray ... D-76 1:1
>> for 13 min and I never stop rocking the tray ... the negatives come out
>> too light. Now if I set the light meter to 50 ASA everything turns out
>> fine.
>
> I hate to say the obvious, but set the light meter at 50
> and forget about it.
>
>> This can't be right.
>
> It can, it is, it has been and it will be. For you and for
> everybody else. A 'personal EI' that is 1 stop different from the
> published ISO speed is perfectly normal.
>
> It is the nature of large format negatives that they look
> thinner than 35 or 120 negs.
>
>> Also, I use the same meter with my Hasselblad and everything turns out
>> fine.
>
> There is a saying: "A man with two watches never knows what
> time it is". It may be that the pictures you have been
> taking with the 'blad are one stop over and as you are
> now used to this you feel the 4x5 negs are underdone.
>
> With out a lot of monkey business with a densitometer and
> specialized software [or a lot of didling on a drafting
> board] it can be hard to make an objective decision to
> just what the light meter should be set at. And even
> then your results may be less to your liking than they
> are now.
>
> Do what it takes to make the prints come out the way you
> want them to. If you are off 2+ stops from the manufacturer's
> rating then something is probably broke. 1 stop and I wouldn't
> worry.
>
> When I first started in LF for some reason I found Tri-X
> had to be exposed at 100. With the years my light meter
> setting has been going up and I now expose Tri-X at 400
> and it comes out fine. TTBOMK I haven't changed anything.
> Obviously TB of my K isn't worth much.
>
> Reasons things can be different: shutter speeds are off,
> the aperture pointer has gotten bumped, your processing
> temperature for 4x5 is lower than 120 [an open tray will
> cool with evaporation, a tank will warm up from being
> agitated by hand, etc.], Ilford 120 is a different emulsion
> than 4x5, the meter is off ... and combinations thereof:
> the Hassy's shutter is slow and the meter reads high so
> the two cancel out with 120 but don't with 4x5.
>
> General pedantic advice:
>
> Judge the 4x5 negatives by shadow detail: meter a deep
> shadow and close down 3 stops -- if the negative holds
> all the detail in the shadow then the exposure meter/camera
> are about right.
>
> If there is detail in the shadows but the highlights are
> thin then you may want to increase development.
>
If it would help, I have a virtually unused ESECO Speedmaster B&W
transmission densitometer that I'd let go for a VERY reasonable price.
(Sorry if this offends anyone, but it does seem to fit this thread)
Dave